Design for a Wall Monument
Francesco di Giorgio Martini (d. 1501)
ca. 1490 · Pen and brown ink, brush and brown wash, blue gouache, on vellum
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
314 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
267 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,023 matching records exist across the two collections.
Results for "Design for a Tomb or Wall Monument"12 records
Institutions answered newest-first by record, interleaved
Design for a Wall Tomb
Anonymous, Central-Italian, 16th century (d. 1600)
ca. 1524 · Pen and brown ink, over stylus-ruled and compass-incised construction marks
Cleared · Public Domain
liveThe MetSimilar
Design for a Funeral Monument
Italian, Lombardy (d. 1531)
early 16th century · Pen and ink in two shades of brown, brush and brown washes.
Cleared · Public Domain
liveThe MetSimilar
Design for a Wall Tomb
Anonymous, French, 16th century (d. 1600)
16th century · Graphite, pen and brown ink
Cleared · Public Domain
liveThe MetSimilar
Design for a Wall Tomb
Avanzino Nucci (d. 1629)
1590–1610 · Pen and brown ink, brush and brown wash, highlighted with white gouache
Cleared · Public Domain
liveThe MetSimilar
Design for a Wall Tomb
Anonymous, French, 17th century (d. 1700)
ca. 1630 · Pen and brown ink, brush and black, gray and pink wash
Cleared · Public Domain
liveThe MetSimilar
Design for a Tomb or Wall Monument
Anonymous, Italian, 17th century (d. 1700)
17th century · Pen and brown ink, over traces of graphite and ruled underdrawing
Cleared · Public Domain
liveThe MetSimilar
Design for a Wall Monument
René Charpentier (d. 1723)
n.d. · Red chalk
Cleared · Public Domain
liveThe MetSimilar
Design for a Funeral Monument (Preparatory Drawing for a Print)
Johann Jakob Schübler (d. 1741)
1724–41 · Pink wash, pen and black ink with gray washes
Cleared · Public Domain
liveThe MetSimilar
Three Designs for a Funerary Monument or Epitaph
Jean Michel Moreau le Jeune (d. 1814)
ca. 1770–90 · Pen and ink, watercolor over graphite
Cleared · Public Domain
liveThe MetSimilar
Design for a Catafalque or a Tomb Monument
Anonymous, Italian, 18th century (d. 1800)
18th century · Wash over black chalk
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for tomb monument
Louis C. Tiffany (d. 1933)
1900–1920 · Gouache, charcoal, photograph, and collage on paper mounted on board.
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.