Framed Unfinished Design of a Baroque Church Interior
Giovanni Maria Galli Bibiena, the Younger (d. 1769)
before 1769 · Pen and brown ink, brush and gray-blue and brown wash over traces of graphite
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
778 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
340 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9,195 matching records exist across the two collections.
Results for "Design for a church interior"12 records
Institutions answered newest-first by record, interleaved
Incense Burner and Stand for an Altar Cross
Unrecorded maker
1150–75 · Metalwork, bronze: cast, gilded, engraved, and chased
Cleared · CC0
liveCleveland Museum of ArtSimilar
Design for a Church Interior
Luigi Vanvitelli (d. 1773)
1700–1773 · Pen and brown ink, over graphite
Cleared · Public Domain
liveThe MetSimilar
Stenciled Velvet
Tiffany Studios
c. 1902–10 · Velvet, plain silk velvet stencilled with vegetable dyes
Cleared · CC0
liveCleveland Museum of ArtSimilar
Design for a Stage Set at the Opéra, Paris: Church Interior
Eugène Cicéri (d. 1890)
1830–90 · Pen and gray, red, and black ink, brush and gray wash, over graphite
Cleared · Public Domain
liveThe MetSimilar
Stenciled Velvet
Dorothy Marshall Hornblower (d. 1968)
c. 1902–10 · Velvet, plain silk velvet stencilled with vegetable dyes
Cleared · CC0
liveCleveland Museum of ArtSimilar
Design for a Stage Set at the Opéra, Paris: Church Interior
Eugène Cicéri (d. 1890)
1830–90 · Pen and red ink, gouache, and graphite
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Church Interior
Louis C. Tiffany (d. 1933)
ca. 1892-1902 · Transparent and opaque watercolor, metallic paint, and graphite on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Church
Anonymous, French, 19th century (d. 1900)
19th century · Pen and gray ink, watercolor
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Church Interior
Louis C. Tiffany (d. 1933)
ca. 1899 · Transparent and opaque watercolor, metallic paint, and graphite on paper with window mat
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Interior, First Presbyterian Church, Poughkeepsie, New York
Louis C. Tiffany (d. 1933)
1906-08 · Transparent and opaque watercolor, and graphite on translucent paper, mounted on paper
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for church interior
Louis C. Tiffany (d. 1933)
late 19th–early 20th century · Watercolor, gouache, brown ink, and graphite on artist board
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.