
Design for a Church Interior
Luigi Vanvitelli (d. 1773)
1700–1773 · Pen and brown ink, over graphite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
203 ms. The Metropolitan Museum of Art, Collection API (Open Access)
336 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9,732 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Church Interior
Luigi Vanvitelli (d. 1773)
1700–1773 · Pen and brown ink, over graphite
Cleared · Public Domain
live
Design for a Theater Interior
Luigi Vanvitelli (d. 1773)
1700–1773 · Pen and brown ink over freehand graphite and ruled construction lines in graphite
Cleared · Public Domain
live
Design for a Palace Interior
Leonardo Marini (d. 1797)
1730–97 · Pen and brown ink, brush with gray, green, yellow, and red wash, over leadpoint
Cleared · Public Domain
live
Design for a domestic interior
Anonymous, German (d. 2050)
1857 · Graphite, watercolor on pink paper
Cleared · Public Domain
live
Design for an Interior, possibly a Theater
V. S. Léon
ca. 1860–80 · Graphite, watercolor, gouache
Cleared · Public Domain
live
Design for a Gothic Interior
Charles Hindley and Sons (d. 1917)
1841–84 · Pen and brown ink, brush and wash, over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a State Archive, Interior Perspective
Nicholas Hawksmoor (d. 1736)
early 18th century · Pen and black ink, brush and gray wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Church Interior
Louis C. Tiffany (d. 1933)
ca. 1892-1902 · Transparent and opaque watercolor, metallic paint, and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Church Interior
Louis C. Tiffany (d. 1933)
ca. 1899 · Transparent and opaque watercolor, metallic paint, and graphite on paper with window mat
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for interior
Louis C. Tiffany (d. 1933)
ca. 1910–25 · Watercolor on paper mounted on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a church interior
Louis C. Tiffany (d. 1933)
1902-1932 · Graphite, brown ink, watercolor, gouache, and brown wash on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Stage design for a palace interior
Boris Konstantinovitch Bilinsky (d. 1948)
1915–48 · Pen and black ink, brown wash, and graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.