Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
292 ms. The Metropolitan Museum of Art, Collection API (Open Access)
1100 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,824 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for Hair Ornaments, Brooches, and a Necklace
Industrie Comptoir (d. 1830)
1804 · Engraving, hand-colored
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Necklace
Louis C. Tiffany (d. 1933)
ca. 1904 · Opals, gold, enamel
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Necklace
Margaret Rogers (d. 1949)
ca. 1915 · Gold, sapphires, and moonstones
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Necklace
Marie Zimmermann (d. 1972)
1920–28 · Gold, shattuckite, and coral
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a necklace with beads and a dark blue gemstone pendant
Fernand Chardon (d. 1930)
ca. 1925 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a necklace with blue and green beaded details
Fernand Chardon (d. 1930)
ca. 1925 · Gouache over graphite outline; outlined in pen and black ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a necklace with blue, green and white details
Fernand Chardon (d. 1930)
ca. 1925 · Gouache over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Necklace with Pearls and Stones
Unrecorded maker
ca. 1870–1930 · Graphite, watercolor and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Pearl and Diamond Necklace
Unrecorded maker
ca. 1870–1930 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Necklace
Marie Zimmermann (d. 1972)
ca. 1925 · Gold, enamel, pearls, green tourmalines and red garnets
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.