Design for a Monument with Minerva?
Anonymous, Spanish, 16th century (d. 1600)
16th century · Pen and black ink, brush and gray wash
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
362 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
22 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 240 matching records exist across the two collections.
Results for "Design for a sepulchral monument with Ma"12 records
Institutions answered newest-first by record, interleaved
Design for a sepulchral monument with a portrait bust
Hendrik-Frans Verbruggen (d. 1724)
1673 · Pen and brown ink, red and brown wash, red chalk, over black chalk or graphite
Cleared · Public Domain
liveThe MetSimilar
Design for a sepulchral monument (recto); Design for a sepulchral monument (verso)
Pieter Verbruggen the Younger (d. 1691)
late 17th century · Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash (recto); pen and brown ink, over black chalk or graphite (verso)
Cleared · Public Domain
liveThe MetSimilar
Design for a sepulchral monument (recto); Design for a monument (verso)
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Pen and brown ink, over red chalk and black chalk or graphite, brown and brownish yellow wash (recto); pen and brown ink, black chalk (verso)
Cleared · Public Domain
liveThe MetSimilar
Design for a sepulchral monument (recto); Design for a sepulchral monument (verso)
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Pen and brown ink, over black chalk or graphite, red chalk and wash (recto); black chalk or graphite, red chalk (verso)
Cleared · Public Domain
liveThe MetSimilar
Design for a sepulchral monument (recto); Fragment of a letter and notes (verso)
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Pen and brown ink, over red chalk and black chalk or graphite, red and brown wash
Cleared · Public Domain
liveThe MetSimilar
Design for a sepulchral monument with a portrait bust (recto); Design for a reliquary (?) (verso)
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Pen and brown ink, red chalk, brown and red wash, over black chalk or graphite (recto); black chalk or graphite (verso)
Cleared · Public Domain
liveThe MetSimilar
Design for a sepulchral monument with a seated prophet or philosopher (recto); Sketches (verso)
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Pen and brown ink, over black chalk (recto); black chalk (verso)
Cleared · Public Domain
liveThe MetSimilar
Design for a sepulchral monument with an allegory of Time
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Pen and brown ink, brown wash, over black chalk
Cleared · Public Domain
liveThe MetSimilar
Design for a sepulchral monument with an allegory of Time (recto); Design for a column (verso)
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Black and red chalk, red and brown wash (recto); pen and brown ink, over red chalk, black chalk (verso)
Cleared · Public Domain
liveThe MetSimilar
Design for a sepulchral monument with an allegory of Time (recto); Design for a sepulchral monument (verso)
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Pen and brown ink, over red chalk and black chalk or graphite, red and brown brownish gray wash (recto); pen and brown ink, over black chalk or graphite (verso)
Cleared · Public Domain
liveThe MetSimilar
Design for a sepulchral monument with two figures
Pieter Verbruggen the Younger (d. 1691)
late 17th–early 18th century · Pen and brown ink, brush and brown-gray wash, over red and black chalk or graphite
Cleared · Public Domain
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.