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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    242 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    358 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6,760 matching records exist across the two collections.

Results for "Design for a three-part window in the st"12 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a "Temple and Landscape" Window

Louis C. Tiffany (d. 1933)

ca. 1892-1915 · Transparent and opaque watercolor, and graphite on paper mounted on paperboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Two-Light "Te Deum" Window

Louis C. Tiffany (d. 1933)

1900 · Transparent and opaque watercolor, ink, and graphite on collage of paper mounted on paperboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Rose Window

Louis C. Tiffany (d. 1933)

ca. 1902–22 · Transparent and opaque watercolor, and graphite on collage of paper mounted on paperboard

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Rose Window

Louis C. Tiffany (d. 1933)

ca. 1902-32 · Transparent and opaque watercolor, ink, and graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Forbes Memorial Window

Frederick Wilson (d. 1932)

ca. 1910 · Watercolor, gouache, pen and brown ink, red colored pencil, and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a three-part window in the style of Mackintosh

Dard Hunter (d. 1966)

ca. 1909–1911 · Watercolor and ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Stained-Glass Window

Hélène Forichon (d. 1989)

1915 · Graphite, black ink, gouache, and watercolor on wove paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

3-part Garden landscape window for Linden Hall

Agnes F. Northrop (d. 1953)

1912 · Leaded Favrile glass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Christian soldier window

Louis C. Tiffany (d. 1933)

1917 · Watercolor, gouache, pen, and black and light purplish-grey inks, graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a rose window

Louis C. Tiffany (d. 1933)

late 19th–early 20th century · Watercolor, gouache, pen and black India ink, and graphite on artist board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for window

Louis C. Tiffany (d. 1933)

late 19th–early 20th century · Photostat colored with gouache and watercolor in original matt

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Window

Louis C. Tiffany (d. 1933)

late 19th–early 20th century · Watercolor, gouache, and graphite on paper mounted on board in original matt

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.