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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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  • The Metlive

    558 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    249 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 152 matching records exist across the two collections.

Results for "Design for an Altar Surmounted by a Cruc"12 records

Institutions answered newest-first by record, interleaved

Design for an Altar Surmounted by a Crucifix in Four Different Views by Vincenzo de' Rossi, The Metropolitan Museum of Art

Design for an Altar Surmounted by a Crucifix in Four Different Views

Vincenzo de' Rossi (d. 1587)

1546–47 · Pen and brown ink, brush and gray-brown wash over traces of black chalk, ruling and compass work

Cleared · Public Domain

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The MetSimilar
Design for an Octagonal Table and Top (recto); Design for Altar or Tomb Monument (verso) by Anonymous, Italian, 16th century, The Metropolitan Museum of Art

Design for an Octagonal Table and Top (recto); Design for Altar or Tomb Monument (verso)

Anonymous, Italian, 16th century (d. 1600)

ca. 1530–60 · Pen and brown ink, brush and gray-brown wash (recto); pen and brown ink, brush and brown wash (verso)

Cleared · Public Domain

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The MetSimilar
Design for an Epitaph with a Variant, flanked by Terms and surmounted by statues of Cherubs by Abraham van Diepenbeeck, The Metropolitan Museum of Art

Design for an Epitaph with a Variant, flanked by Terms and surmounted by statues of Cherubs

Abraham van Diepenbeeck (d. 1675)

17th century · Pen with brown and black ink over traces of black chalk, black charcoal, brown and gray wash

Cleared · Public Domain

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The MetSimilar
Design for an Epitaph surmounted by a Statue of the Virgin and Child by Anonymous, Flemish, The Metropolitan Museum of Art

Design for an Epitaph surmounted by a Statue of the Virgin and Child

Anonymous, Flemish

17th century · Pen and brown ink with brown wash

Cleared · Public Domain

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The MetSimilar
Design for a Monumental Altar, plate L from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen" by Johann Michael Leüchte, The Metropolitan Museum of Art

Design for a Monumental Altar, plate L from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen"

Johann Michael Leüchte

printed ca. 1750–56 · Etching

Cleared · Public Domain

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The MetSimilar
Design for a Monumental Altar, plate M from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen" by Johann Michael Leüchte, The Metropolitan Museum of Art

Design for a Monumental Altar, plate M from "Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen"

Johann Michael Leüchte

printed ca. 1750–56 · Etching

Cleared · Public Domain

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The MetSimilar
Design for an Altar, plate 1 from an Untitled Series of Designs for Altars by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for an Altar, plate 1 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

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The MetSimilar
Design for an Altar, plate 3 from an Untitled Series of Designs for Altars by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for an Altar, plate 3 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

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The MetSimilar
Design for an Altar, plate 4 from an Untitled Series of Designs for Altars by Jacob Gottlieb Thelot, The Metropolitan Museum of Art

Design for an Altar, plate 4 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Cleared · Public Domain

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The MetSimilar
Design for the Decoration of the Altar to be erected during the Holy Week, Dedicated to Monseigneur Christophe de Beaumont, Archbishop of Paris by Louis Jean Desprez, The Metropolitan Museum of Art

Design for the Decoration of the Altar to be erected during the Holy Week, Dedicated to Monseigneur Christophe de Beaumont, Archbishop of Paris

Louis Jean Desprez (d. 1804)

1769 · Etching

Cleared · Public Domain

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The MetSimilar
Design for an Arch Surmounted by a Cartouche with a Ducal Crown by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for an Arch Surmounted by a Cartouche with a Ducal Crown

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush with gray and brown wash, over leadpoint; scale, upper edge of the design, in pen and brown ink

Cleared · Public Domain

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The MetSimilar
Design for an altar table surmounted by a crucifixion by Jules-Edmond-Charles Lachaise, The Metropolitan Museum of Art

Design for an altar table surmounted by a crucifixion

Jules-Edmond-Charles Lachaise (d. 1897)

second half 19th century · Pen and ink, watercolor, and gold paint on wove paper

Cleared · Public Domain

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The MetSimilar

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