
Model of a procession of offering bearers
Unrecorded maker
ca. 1981–1975 B.C. · Plastered and painted wood, linen
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
304 ms. The Metropolitan Museum of Art, Collection API (Open Access)
407 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 33 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Model of a procession of offering bearers
Unrecorded maker
ca. 1981–1975 B.C. · Plastered and painted wood, linen
Cleared · Public Domain
live
Censer with seated king
Maya artist(s)
300–400 CE · Ceramic, slip
Cleared · Public Domain
live
Vessel with Pierced Designs
Unrecorded maker
ca. 700 · Bronze; pierced and chased
Cleared · Public Domain
live
Vessel with throne scene
Chamá artist(s)
600–900 CE · Ceramic, slip
Cleared · Public Domain
live
Tripod incense burner
Unrecorded maker
1486 · Copper alloy
Cleared · Public Domain
live
Censer in the form of a mythical beast
Unrecorded maker
early 17th century · Porcelain painted in underglaze blue (Jingdezhen ware)
Cleared · Public Domain
live
Covered Incense Burner
Unrecorded maker
early 18th century · Porcelain with a clear glaze (Dehua ware)
Cleared · Public Domain
live
Portrait of Dengyō Daishi (Saichō)
Unidentified
early 18th century · Hanging scroll; ink, color, and gold on silk
Cleared · Public Domain
live
Tripod table stand (Athénienne)
Joseph Chinard (d. 1813)
probably ca. 1793 · Terracotta
Cleared · Public Domain
live
Incense Burner from a Set of Five-Piece Altar Set (Wugong)
Unrecorded maker
1795 · Cloisonné enamel on copper, gilt bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for an Incense Burner. Trace of Second Design at Right.
Antonio Mazzuti
n.d. · Pen and black ink, brush and gray wash, gold gouache, over black chalk, highlighted with white gouache
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.