
Design for an Opera Set, a Congress of Cupids
Carlo Zucchi the Younger (d. 1796)
18th century · Watercolor
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
778 ms. The Metropolitan Museum of Art, Collection API (Open Access)
457 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,181 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for an Opera Set, a Congress of Cupids
Carlo Zucchi the Younger (d. 1796)
18th century · Watercolor
Cleared · Public Domain
live
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri (d. 1890)
1828–90 · Graphite, black chalk, watercolor
Cleared · Public Domain
live
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri (d. 1890)
1828–90 · Graphite
Cleared · Public Domain
live
Design for a Stage Set at the Opéra, Paris
Eugène Cicéri (d. 1890)
1830–90 · Watercolor, heighted with gold gilt
Cleared · Public Domain
live
Design for a Stage Set at the Opéra, Paris: Interior of a Cottage
Eugène Cicéri (d. 1890)
1830–90 · Graphite
Cleared · Public Domain
live
Design for a Stage Set of a Crypt (for the Opera 'La Morosina' ?)
Carlo Ferrario (d. 1907)
1833–1907 · Brush and black wash over traces of graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for an Aesthetic Interior
Louis C. Tiffany (d. 1933)
ca. 1885-87 · Transparent and opaque watercolor, metallic paint, ink and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for skylight
Louis C. Tiffany (d. 1933)
1885-1892 · Transparent watercolor and graphite on paper mounted on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a "Poppy" Lampshade
Louis C. Tiffany (d. 1933)
ca. 1900 · Watercolor, ink, and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Parlor
Louis C. Tiffany (d. 1933)
1892–1902 · Transparent and opaque watercolor, ink, and graphite on paper mounted on paperboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a niche with urn
Louis C. Tiffany (d. 1933)
late 19th–early 20th century · Graphite, gouache, watercolor, and black pen on splatter painted buff paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Skylight
Louis C. Tiffany (d. 1933)
1902–32 · Transparent and opaque watercolor, ink, and graphite on paper mounted on paperboard with window mat
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.