
Design for an Altar Surmounted by a Crucifix in Four Different Views
Vincenzo de' Rossi (d. 1587)
1546–47 · Pen and brown ink, brush and gray-brown wash over traces of black chalk, ruling and compass work
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
286 ms. The Metropolitan Museum of Art, Collection API (Open Access)
438 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,751 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for an Altar Surmounted by a Crucifix in Four Different Views
Vincenzo de' Rossi (d. 1587)
1546–47 · Pen and brown ink, brush and gray-brown wash over traces of black chalk, ruling and compass work
Cleared · Public Domain
live
Design for an Octagonal Table and Top (recto); Design for Altar or Tomb Monument (verso)
Anonymous, Italian, 16th century (d. 1600)
ca. 1530–60 · Pen and brown ink, brush and gray-brown wash (recto); pen and brown ink, brush and brown wash (verso)
Cleared · Public Domain
live
Design for an Epitaph
Jean Lenfant (d. 1674)
1660 · Etching
Cleared · Public Domain
live
Design for a Chimney Piece in the Gallery, now Dining Room, Harewood House, Yorkshire (Elevation)
Robert Adam (d. 1792)
ca. 1769 · Pen and ink, brush and ink wash, over graphite
Cleared · Public Domain
live
Design for a Canopy Bed in an Alcove
Anonymous, French, 18th century (d. 1800)
ca. 1770–90 · Pen and black ink, brush and brown and gray wash
Cleared · Public Domain
live
Design for an Orchestra Gallery in an Assembly Room, Plan and Elevation
Anonymous, British, late 18th–early 19th century (d. 1835)
ca. 1800 · Pen and ink and watercolor
Cleared · Public Domain
live
Design for an Empire Daybed
Anonymous, Italian, 19th century (d. 1900)
1800–1820 · Pen and ink with brown, red, yellow and green wash
Cleared · Public Domain
live
Alonzo H. Sterrett, Late Adjutant, Fortieth U.S. Infantry
Hall & Company's Photograph Gallery
July 27, 1865 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Cover Design for "291" (journal)
Marius de Zayas (d. 1961)
1915 · Black ink, watercolor, graphite, and white correction fluid with cut and pasted paper on board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Garden Room
Louis C. Tiffany (d. 1933)
ca. 1922 · Transparent and opaque watercolor, and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Private Gallery
Sheela Gowda (d. 9999)
1998 · Cow dung, lamination sheet, brush and ink, watercolor, metallic paint and graphite on paper, plyboard and wood (2 panels + set of eleven watercolor paintings)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Constellation. Proposal for a Ceiling Installation in the Atrium of the Kunkel Gallery in the Whitaker Center, Harrisburg, PA
Jack Stewart (d. 2005)
ca. 1990–97 · Watercolor over graphite underdrawing, metallic ink
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.