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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1693 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    292 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 1,248 matching records exist across the two collections.

Results for "Design for an Overdoor Decoration (recto"12 records

Institutions answered newest-first by record, interleaved

Design for an Overdoor by Anonymous, French, 17th century, The Metropolitan Museum of Art

Design for an Overdoor

Anonymous, French, 17th century (d. 1700)

ca. 1640 · Pen and gray ink, brush and gray wash

Cleared · Public Domain

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The MetSimilar
Design for an Overdoor Decoration (recto); Rinceaux (verso) by Gregorio de' Ferrari, The Metropolitan Museum of Art

Design for an Overdoor Decoration (recto); Rinceaux (verso)

Gregorio de' Ferrari (d. 1726)

ca. 1670–90 · Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso)

Cleared · Public Domain

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The MetSimilar
Design for an Overdoor with a Bust by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for an Overdoor with a Bust

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, over black chalk

Cleared · Public Domain

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The MetSimilar
Design for the Right Half of an Overdoor Decoration with a Bust by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for the Right Half of an Overdoor Decoration with a Bust

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, brush and gray-brown wash; a vertical graphite line through the center of the design

Cleared · Public Domain

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The MetSimilar
Design for a Door and Stucco Overdoor Decorations by Anonymous, Italian, 18th century, The Metropolitan Museum of Art

Design for a Door and Stucco Overdoor Decorations

Anonymous, Italian, 18th century (d. 1800)

ca. 1740–60 · Pen and black and brown ink with gray wash, over graphite outline

Cleared · Public Domain

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The MetSimilar
Design for an Overdoor Decoration (?) (recto); Part of a Doorway (verso) by Anonymous, Italian, Bolognese, 18th century, The Metropolitan Museum of Art

Design for an Overdoor Decoration (?) (recto); Part of a Doorway (verso)

Anonymous, Italian, Bolognese, 18th century (d. 1800)

1740–60 · Pen and brown ink, brush and wash, over black chalk (recto); pen and brown ink (verso)

Cleared · Public Domain

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The MetSimilar
Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso) by Anonymous, Italian, Bolognese, 18th century, The Metropolitan Museum of Art

Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso)

Anonymous, Italian, Bolognese, 18th century (d. 1800)

1740–60 · Pen and brown ink, brush and wash, over black chalk (recto); pen and brown ink (verso)

Cleared · Public Domain

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The MetSimilar
Designs for an Overdoor Decoration (recto); Various Sketches (verso) by Anonymous, Italian, Bolognese, 18th century, The Metropolitan Museum of Art

Designs for an Overdoor Decoration (recto); Various Sketches (verso)

Anonymous, Italian, Bolognese, 18th century (d. 1800)

1740–60 · Pen and brown ink, brush and wash, over black chalk (recto); black chalk (verso)

Cleared · Public Domain

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The MetSimilar
Design for One Half of an Overdoor by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for One Half of an Overdoor

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction

Cleared · Public Domain

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The MetSimilar
One Half of a Design for an Overdoor (?) (recto); Two Designs for Altars, one for a Capital (?) (verso) by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

One Half of a Design for an Overdoor (?) (recto); Two Designs for Altars, one for a Capital (?) (verso)

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and gray wash, over ruled construction in leadpoint or graphite (recto); leadpoint or graphite (verso); some framing outlines

Cleared · Public Domain

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The MetSimilar
Design for an Overdoor dedicated to Art and Craft by Jean-Baptiste Louis Plantar, The Metropolitan Museum of Art

Design for an Overdoor dedicated to Art and Craft

Jean-Baptiste Louis Plantar

1847 · Graphite, pen and ink, watercolor

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for an Overdoor Painting and Two Wall Panels

Arthur B. Davies (d. 1928)

ca. 1900–1910 · Black and white crayon, gouache

In copyright

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The MetSimilar

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