Design for an Overdoor
Anonymous, French, 17th century (d. 1700)
ca. 1640 · Pen and gray ink, brush and gray wash
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
901 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
349 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 7,083 matching records exist across the two collections.
Results for "Design for an Overdoor Painting and Two"12 records
Institutions answered newest-first by record, interleaved
Design for an Overdoor Decoration (recto); Rinceaux (verso)
Gregorio de' Ferrari (d. 1726)
ca. 1670–90 · Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso)
Cleared · Public Domain
liveThe MetSimilar
Design for an Overdoor with a Bust
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and brown ink, over black chalk
Cleared · Public Domain
liveThe MetSimilar
Design for a Door and Stucco Overdoor Decorations
Anonymous, Italian, 18th century (d. 1800)
ca. 1740–60 · Pen and black and brown ink with gray wash, over graphite outline
Cleared · Public Domain
liveThe MetSimilar
Design for One Half of an Overdoor
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled construction
Cleared · Public Domain
liveThe MetSimilar
Design for an Overdoor or Headpiece: Two Reclining Figures and Urn
Anonymous, Italian, 18th century (d. 1800)
18th century · Pen and gray ink, brush and gray wash, highlighted with white chalk (?); ruled construction lines in graphite or lead
Cleared · Public Domain
liveThe MetSimilar
Design for an Overdoor dedicated to Art and Craft
Jean-Baptiste Louis Plantar
1847 · Graphite, pen and ink, watercolor
Cleared · Public Domain
liveThe MetSimilar
Design for an Overdoor with Two Putti on either side of a Rosette
Jean-Baptiste Louis Plantar
mid-19th century · Graphite, pen and ink, watercolor
Cleared · Public Domain
liveThe MetSimilar
Design for an Overdoor with Two Putti on either side of a Vase
Jean-Baptiste Louis Plantar
mid-19th century · Graphite, pen and ink, watercolor
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 32a: Design for an overdoor with allegorical figures of Abundance, a river god and two crowned figures
Anonymous
1580–1650 · Etching, on two plates
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panel with Two Overdoor Paintings, Above an Overmantel Painting of Two Nude Female Figures and Two Putti Before a Vase, from Nouveau Liuvre de Taleaux de Portes, et cheminée utiles aux peintres en floeurs, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
after 1703–12 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for an Overdoor Painting and Two Wall Panels
Arthur B. Davies (d. 1928)
ca. 1900–1910 · Black and white crayon, gouache
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.