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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    324 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    304 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4,850 matching records exist across the two collections.

Results for "Design for an Overdoor or the Top of a N"8 records

Institutions answered newest-first by record, interleaved

Design for an Overdoor Decoration (recto); Rinceaux (verso) by Gregorio de' Ferrari, The Metropolitan Museum of Art

Design for an Overdoor Decoration (recto); Rinceaux (verso)

Gregorio de' Ferrari (d. 1726)

ca. 1670–90 · Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Design for an Overdoor or the Top of a Niche with a Bust and Garland-bearing Putti by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for an Overdoor or the Top of a Niche with a Bust and Garland-bearing Putti

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, brush and gray-brown wash, over black chalk

Cleared · Public Domain

live
The MetSimilar
Design for the Right Half of an Overdoor Decoration with a Bust by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for the Right Half of an Overdoor Decoration with a Bust

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, brush and gray-brown wash; a vertical graphite line through the center of the design

Cleared · Public Domain

live
The MetSimilar
Design for a Door and Stucco Overdoor Decorations by Anonymous, Italian, 18th century, The Metropolitan Museum of Art

Design for a Door and Stucco Overdoor Decorations

Anonymous, Italian, 18th century (d. 1800)

ca. 1740–60 · Pen and black and brown ink with gray wash, over graphite outline

Cleared · Public Domain

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The MetSimilar
Photographic Views of Sherman's Campaign by George N. Barnard, The Metropolitan Museum of Art

Photographic Views of Sherman's Campaign

George N. Barnard (d. 1902)

1860s

Cleared · Public Domain

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The MetSimilar
Design for an Overdoor with Two Putti flanking a Coat of Arms, for the Hotel de Ville, Paris by Jean-Baptiste Louis Plantar, The Metropolitan Museum of Art

Design for an Overdoor with Two Putti flanking a Coat of Arms, for the Hotel de Ville, Paris

Jean-Baptiste Louis Plantar

mid-19th century · Graphite, pen and ink, watercolor

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wilton album, folio 32a: Design for an overdoor with allegorical figures of Abundance, a river god and two crowned figures

Anonymous

1580–1650 · Etching, on two plates

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for an Overdoor Painting and Two Wall Panels

Arthur B. Davies (d. 1928)

ca. 1900–1910 · Black and white crayon, gouache

In copyright

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The MetSimilar

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