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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    541 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    364 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 101 matching records exist across the two collections.

Results for "Design for church interior, Christ Churc"12 records

Institutions answered newest-first by record, interleaved

Design for a Church Interior by Luigi Vanvitelli, The Metropolitan Museum of Art

Design for a Church Interior

Luigi Vanvitelli (d. 1773)

1700–1773 · Pen and brown ink, over graphite

Cleared · Public Domain

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The MetSimilar
Design for a Stage Set at the Opéra, Paris: Church Interior by Eugène Cicéri, The Metropolitan Museum of Art

Design for a Stage Set at the Opéra, Paris: Church Interior

Eugène Cicéri (d. 1890)

1830–90 · Pen and gray, red, and black ink, brush and gray wash, over graphite

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Church Interior

Louis C. Tiffany (d. 1933)

ca. 1892-1902 · Transparent and opaque watercolor, metallic paint, and graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Altar, Christ Episcopal Church, Rochester, New York

Louis C. Tiffany (d. 1933)

1902 · Transparent and opaque watercolor, and graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Chancel, First Presbyterian Church, Lake Forest, Illinois

Louis C. Tiffany (d. 1933)

1902 · Transparent and opaque watercolor, ink and graphite on collage of translucent paper and gelatin silver print and collage of paper mounted on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Church Interior

Louis C. Tiffany (d. 1933)

ca. 1899 · Transparent and opaque watercolor, metallic paint, and graphite on paper with window mat

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Interior, First Presbyterian Church, Poughkeepsie, New York

Louis C. Tiffany (d. 1933)

1906-08 · Transparent and opaque watercolor, and graphite on translucent paper, mounted on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Christ Enthroned Window

Frederick Wilson (d. 1932)

ca. 1906 · Watercolor, pen and brown India ink, graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Chancel Wall, Christ Church, Cobble Hill, Brooklyn, New York

Louis C. Tiffany (d. 1933)

1917 · Transparent and opaque watercolor, and graphite on paper mounted on paperboard with painted window mat

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for church interior

Louis C. Tiffany (d. 1933)

late 19th–early 20th century · Watercolor, gouache, brown ink, and graphite on artist board

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for church interior, Christ Church, Hudson, New York

Louis C. Tiffany (d. 1933)

late 19th–early 20th century · Watercolor, brown ink, and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a church interior

Louis C. Tiffany (d. 1933)

1902-1932 · Graphite, brown ink, watercolor, gouache, and brown wash on board

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.