Design for Candlestick or for a Crucifix Base
Perino del Vaga (Pietro Buonaccorsi) (d. 1547)
ca. 1540–47 · Pen and brown ink, brush and brown wash, over leadpoint
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
226 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
273 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,676 matching records exist across the two collections.
Results for "Design for the Base of a Crucifix, plate"12 records
Institutions answered newest-first by record, interleaved
Design for a Crucifix with the Virgin Mary, Saint Mary Magdalen, and Saint John
Polidoro da Caravaggio (d. 1548)
n.d. · Pen and brown ink, brush and brown wash, over traces of black chalk
Cleared · Public Domain
liveThe MetSimilar
Design for the Base of a Candelabrum
Anonymous, Italian, 17th century (d. 1700)
17th century · Pen and brown ink, brush and brown wash, over graphite and ruled construction
Cleared · Public Domain
liveThe MetSimilar
Crucifix
Kongo artist
16th–17th century · Solid cast brass
Cleared · Public Domain
liveThe MetSimilar
Design for the Base of a Crucifix, plate 1 from "Neü inventierte Crucifix Stöcke"
Jacob Gottlieb Thelot
printed ca. 1750–56 · Etching
Cleared · Public Domain
liveThe MetSimilar
Design for the Base of a Crucifix, plate 2 from "Neü inventierte Crucifix Stöcke"
Jacob Gottlieb Thelot
printed ca. 1750–56 · Etching
Cleared · Public Domain
liveThe MetSimilar
Design for the Base of a Crucifix, plate 3 from "Neü inventierte Crucifix Stöcke"
Jacob Gottlieb Thelot
printed ca. 1750–56 · Etching
Cleared · Public Domain
liveThe MetSimilar
Design for the Base of a Crucifix, plate 4 from "Neü inventierte Crucifix Stöcke"
Jacob Gottlieb Thelot
printed ca. 1750–56 · Etching
Cleared · Public Domain
liveThe MetSimilar
Crucifix on a Golgotha base
Giuseppe de' Levi (d. 1614)
ca. 1590–1600 (base), later 17th century (corpus), 19th century (cross) · Corpus: bronze, fire-gilt; cross and base: bronze
Cleared · Public Domain
liveThe MetSimilar
Design for a Hookah Base
Unrecorded maker
late 19th century · Ink and translucent watercolor on paper
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Crucifix
Kongo artist
ca. 17th century · Copper alloy, wood
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Base of a Couch (?)
Anonymous, Italian, mid-18th century (d. 1780)
mid-18th century · Pen and ink
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.