Design for the Corner of a Decorated Ceiling
Agostino (Stanzani) Mitelli (d. 1660)
mid-17th century · Pen and brown ink, black and red chalk
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
83 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
6 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9,682 matching records exist across the two collections.
Results for "Design for the Corner of a Decorated Cei"12 records
Institutions answered newest-first by record, interleaved
Design for the Decoration of the Corner of a Ceiling
Anonymous, Italian, 17th century (d. 1700)
17th century · Pen and brown ink, brush and gray wash and watercolor, over graphite and ruled construction
Cleared · Public Domain
liveThe MetSimilar
Design for a Corner of a Ceiling
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush with brown, blue and green wash, over black chalk
Cleared · Public Domain
liveThe MetSimilar
Design for a Corner of a Ceiling
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush and brown wash, over black chalk
Cleared · Public Domain
liveThe MetSimilar
Design for the Corner of a Ceiling
Ercole Procaccini The Younger (d. 1680)
17th century · Pen and brown ink, brush with brown, pink, blue, green and yellow wash, over black chalk
Cleared · Public Domain
liveThe MetSimilar
.jpg)
Design for a Corner of a Ceiling
Anonymous, French, 17th century (d. 1700)
late 17th–early 18th century · Pen and brown ink over graphite
Cleared · Public Domain
liveThe MetSimilar
Design for a Gondola Decorated for a Festive Occassion
Anonymous, Italian, 18th century (d. 1800)
ca. 1750–80 · Brown pen and ink, watercolor
Cleared · Public Domain
liveThe MetSimilar
Design for the Corner of a Ceiling
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink over leadpoint or graphite
Cleared · Public Domain
liveThe MetSimilar
Design for the Corner of a Cove
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and light brown ink, brush and gray, light brown wash and watercolor, over leadpoint, with ruled and compass construction
Cleared · Public Domain
liveThe MetSimilar
Design for the Corner of a Cove
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash, over ruled construction in leadpoint or graphite, some dotted framing outlines
Cleared · Public Domain
liveThe MetSimilar
Design for the Decorated Panel of a Carriage
Anonymous, Italian, 18th century (d. 1800)
18th century · Pen and brown ink, brush and brown wash, over black chalk
Cleared · Public Domain
liveThe MetSimilar
Design for the Decorated Panel of a Carriage
Anonymous, Italian, 18th century (d. 1800)
18th century · Pen and brown ink, brush and brown wash, over black chalk
Cleared · Public Domain
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.