Design for the Decoration of a Ceiling
Charles de la Fosse (d. 1716)
ca. 1660–90 · Red and black chalk, pen and brown ink
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
422 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
353 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,640 matching records exist across the two collections.
Results for "Design for the Costume of 'La Bete' (The"12 records
Institutions answered newest-first by record, interleaved
Costume Design for a Demon (Señor Remon), for a performance held during the celebration of the wedding of Marie-Louise de Bourbon with Archduke Léopold de Habsbourg-Lorraine, hosted by the Marquis of Ossuna in Madrid in 1764
Charles de La Traverse (d. 1787)
ca. 1764 · Pen and brown ink, brush and brown wash, over graphite underdrawing. Framing lines in pen and brown ink.
Cleared · Public Domain
liveThe MetSimilar
Design for the Proscenium Arch of an Opera house and the Section Adjacent to the Stage
Philippe de La Guêpière (d. 1773)
18th century · Pen and black ink and gray wash
Cleared · Public Domain
liveThe MetSimilar
Design for the Frigate "La Didion"
Anonymous, French, 18th century (d. 1800)
18th century · Pen and black ink, brush and gray wash
Cleared · Public Domain
liveThe MetSimilar
Song of the Siren
John La Farge (d. 1910)
ca. 1883–84 · Watercolor and gouache on paper
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Costume of a Slave, for the Ballet 'La Tragédie de Salomé'
Léon Bakst (d. 1924)
1912 · Gouache, watercolor, and gold paint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for the Shepherdess, for the Ballet 'Les Tentations de la Bergère, premiered at the Théâtre de Monte Carlo, 1924
Juan Gris (d. 1927)
1923 · Watercolor and gouache
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for a Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921
Léon Bakst (d. 1924)
ca. 1921 · Watercolor, graphite, gold paint
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for a Female Courtier, likely for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty), premiered at the Alhambra Theatre in London, 1921
Léon Bakst (d. 1924)
ca. 1921 · Watercolor and graphite
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costume Design for Esmeralda: The Execution of Esmeralda
Mikhail Kurilko (d. 1969)
1926 · Brush and black ink, watercolor
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Costume of 'La Bete' (The Beast) for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty)
Alexander Benois (d. 1960)
1927 · Watercolor, India ink, and graphite
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Costume of Carabosse (Wicked Fairy Godmother), for the Ballet 'La Belle au Bois Dormant' (Sleeping Beauty)
Alexander Benois (d. 1960)
1927 · Watercolor, India ink, and graphite
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.