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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    676 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    385 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 21,062 matching records exist across the two collections.

Results for "Design for the Entrance of the Loggia of"11 records

Institutions answered newest-first by record, interleaved

Design for the Wrought-Iron Entrance Grille of a Chapel by Gilles-Marie Oppenord, The Metropolitan Museum of Art

Design for the Wrought-Iron Entrance Grille of a Chapel

Gilles-Marie Oppenord (d. 1742)

ca. 1700–1720 · Pen and gray ink, brush and gray, brown, red, and blue wash

Cleared · Public Domain

live
The MetSimilar
Design Elevation for an Interior Door in the Loggia of Pope Julius [III.] by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Design Elevation for an Interior Door in the Loggia of Pope Julius [III.]

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, brush and gray wash, over ruling in graphite

Cleared · Public Domain

live
The MetSimilar
Design for the Entrance of the Loggia of the Villa of Pope Julius by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art

Design for the Entrance of the Loggia of the Villa of Pope Julius

Pietro Paolo Coccetti (Cocchetti) (d. 1727)

1710–27 · Pen and brown ink, brush and gray wash, over ruling in graphite

Cleared · Public Domain

live
The MetSimilar
Design for the Entrance to a Chapel by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for the Entrance to a Chapel

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and gray ink, brush and watercolor, over leadpoint; scale at bottom in pen and gray ink

Cleared · Public Domain

live
The MetSimilar
Design for a Classical Country House, Entrance Elevation by Anonymous, British, 19th century, The Metropolitan Museum of Art

Design for a Classical Country House, Entrance Elevation

Anonymous, British, 19th century (d. 1900)

early 19th century · Watercolor, pen and ink

Cleared · Public Domain

live
The MetSimilar
Loggia of the Ducal Palace, Venice by John Ruskin, The Metropolitan Museum of Art

Loggia of the Ducal Palace, Venice

John Ruskin (d. 1900)

1849–50 · Watercolor over graphite

Cleared · Public Domain

live
The MetSimilar
[Façade, Views, and Entrance Loggia of the Renaissance Court] by Philip Henry Delamotte, The Metropolitan Museum of Art

[Façade, Views, and Entrance Loggia of the Renaissance Court]

Philip Henry Delamotte (d. 1889)

ca. 1859 · Albumen silver print from glass negative

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The entrance front, with conservatory, pergola, and entrance loggia.

David Aronow

1930s · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The entrance front, with entrance loggia.

David Aronow

1930s · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The entrance front, with pergola and entrance loggia.

David Aronow

1930s · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The entrance loggia, from pergola.

David Aronow

1930s · Gelatin silver print

In copyright

live
The MetSimilar

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2. Read the arithmetic

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3. Seal and export

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