
Design for the Wrought-Iron Entrance Grille of a Chapel
Gilles-Marie Oppenord (d. 1742)
ca. 1700–1720 · Pen and gray ink, brush and gray, brown, red, and blue wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
676 ms. The Metropolitan Museum of Art, Collection API (Open Access)
385 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 21,062 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for the Wrought-Iron Entrance Grille of a Chapel
Gilles-Marie Oppenord (d. 1742)
ca. 1700–1720 · Pen and gray ink, brush and gray, brown, red, and blue wash
Cleared · Public Domain
live![Design Elevation for an Interior Door in the Loggia of Pope Julius [III.] by Pietro Paolo Coccetti (Cocchetti), The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/dp/web-large/DP801726.jpg)
Design Elevation for an Interior Door in the Loggia of Pope Julius [III.]
Pietro Paolo Coccetti (Cocchetti) (d. 1727)
1710–27 · Pen and brown ink, brush and gray wash, over ruling in graphite
Cleared · Public Domain
live
Design for the Entrance of the Loggia of the Villa of Pope Julius
Pietro Paolo Coccetti (Cocchetti) (d. 1727)
1710–27 · Pen and brown ink, brush and gray wash, over ruling in graphite
Cleared · Public Domain
live
Design for the Entrance to a Chapel
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and gray ink, brush and watercolor, over leadpoint; scale at bottom in pen and gray ink
Cleared · Public Domain
live
Design for a Classical Country House, Entrance Elevation
Anonymous, British, 19th century (d. 1900)
early 19th century · Watercolor, pen and ink
Cleared · Public Domain
live
Loggia of the Ducal Palace, Venice
John Ruskin (d. 1900)
1849–50 · Watercolor over graphite
Cleared · Public Domain
live![[Façade, Views, and Entrance Loggia of the Renaissance Court] by Philip Henry Delamotte, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP323131.jpg)
[Façade, Views, and Entrance Loggia of the Renaissance Court]
Philip Henry Delamotte (d. 1889)
ca. 1859 · Albumen silver print from glass negative
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The entrance front, with conservatory, pergola, and entrance loggia.
David Aronow
1930s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The entrance front, with entrance loggia.
David Aronow
1930s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The entrance front, with pergola and entrance loggia.
David Aronow
1930s · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The entrance loggia, from pergola.
David Aronow
1930s · Gelatin silver print
In copyright
live1. Pin the work
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2. Read the arithmetic
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