
The Assumption of the Virgin with Saints Michael and Benedict
Luca Signorelli (d. 1523)
ca. 1493–96 · Oil and gold on wood
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
202 ms. The Metropolitan Museum of Art, Collection API (Open Access)
292 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 595 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Assumption of the Virgin with Saints Michael and Benedict
Luca Signorelli (d. 1523)
ca. 1493–96 · Oil and gold on wood
Cleared · Public Domain
live
Bishop Saint in Bust-Length (Cartoon for an Altarpiece)
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1529–30 · Brush and brown wash over black chalk
Cleared · Public Domain
live
Design for a Frescoed Altarpiece of The Resurrection
Maso da San Friano (Tommaso Manzuoli) (d. 1571)
ca. 1560–71 · Pen and dark brown ink, brush and gray-brown wash, highlighted with white gouache, over black chalk, and compass-constructed architecture, on blue paper
Cleared · Public Domain
live
Design for the Top of an Arch, Decorated with a Cherub (recto); Design for the Frame of a Frieze (verso)
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and brown ink, brush and brown wash over black chalk (recto); pen and brown ink over black chalk (verso)
Cleared · Public Domain
live
Design for Mirror Frame
Giovanni Battista Natali III (d. 1765)
ca. 1720–40 · Pen and brown ink, brush with gray and brown wash, over traces of graphite or black chalk
Cleared · Public Domain
live
Design for an Attic Window and an Interior, with the Frame of the Ceiling Shown
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush with gray, brown and yellow wash, over leadpoint or graphite; scales at bottom in pen and brown ink
Cleared · Public Domain
live
Design for Left Side of an Altarpiece Frame
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction
Cleared · Public Domain
live
Design for an Armorial Escutcheon
Anonymous, British, 19th century (d. 1900)
19th century · Graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Frame of an Altarpiece for the Tomicki Chapel in Wawel Cathedral, Kraków (Poland)
Georg Pencz (d. 1550)
ca. 1530 · Pen with black and brown ink, brown wash, over black chalk and stylus
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for an octagonal hand mirror
Etienne Delaune (d. 1583)
16th century (?) · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Frame with Interlacing Serpents
Anonymous, French, 19th century (d. 1900)
ca. 1850–70 · Pencil on white laid paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for an ornamental frame, after Bernard Picart and Papillon
Bernard Picart (d. 1733)
[after 1844] · Lithograph
In copyright
live1. Pin the work
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2. Read the arithmetic
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3. Seal and export
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