A painting can be out of copyright and thephotograph of it can still be protected.

Design in Elevation for the Façade of a Building

Cigoli (Ludovico Cardi) (d. 1613)

1590–1610 · Pen and dark brown ink, brush and brown wash, over leadpoint or black chalk

Veue du chasteau de Versailles (View of Versailles, garden facade)

Adam Perelle (d. 1695)

1680s · Etching

Design for a Palace Façade

Anonymous

ca. 1700 · Pen and brown ink, brush with gray-brown wash, over black chalk (or graphite)

Design for the Façade of a Palace with the Coat of Arms of Pope Clement IX

Anonymous, Italian, 18th century (d. 1800)

ca. 1710–21 · Pen and brown ink with brown, red and green wash

Design for a Palace Façade

Carl Hårleman (d. 1753)

early–mid 18th century · Pen and gray and black ink, brush and gray ink, chalk or graphite

Design for a Palace Façade: detail of Windows and Doors

Carl Hårleman (d. 1753)

early–mid 18th century · Pen and black and gray ink, brush and gray ink, over black chalk or graphite

Design for the Garden Façade of a Palace

Giovanni Niccolò Servandoni (d. 1766)

1695–1766 · Graphite, pen and black and gray ink, brush and gray wash

Architectural Design for a Façade

Ferenc (Franz) Speth (d. 1769)

1739–69 · Watercolor and pen and black ink

Design for the Garden Façade of the Palais Royal

Victor Louis (d. 1800)

1781 · Pen and black ink, brush and gray wash, over traces of black chalk underdrawing

Design for the façade of a building

Anonymous, German, 18th century (d. 1800)

18th century · Pen and gray ink, brush and gray and black wash; framing lines in pen and brown ink

Design for the Façade of a Theater (Perspective)

Charles Middleton (d. 1818)

late 18th–early 19th century · Watercolor over pen and black ink

Design for the Façade of a House

Célestin-Joseph Happe

n.d. · Pen and black ink, brush and gray, brown, and rose wash, with framing lines in pen and black ink