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Design for an Altar

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and brown wash over black chalk; framing outlines (arched at top) in brown ink

Design for an Altar

Ercole Procaccini The Younger (d. 1680)

17th century · Pen and brown ink, brush and gray wash over leadpoint (?)

Design for the left half of a chimneypiece

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash, over leadpoint

Left Half of the Design for an Altar

Anonymous, Spanish, 17th century (d. 1700)

ca. 1600–1650 · Pen and dark brown ink, point of brush and brown wash, over black chalk

Model for an altar

Unrecorded maker

ca. 1700–1730 · Terracotta

Design for an Aedicular Altar with St. Paul at the Left

Johann Georg Dirr (d. 1779)

ca. 1745–60 · Brush and gray wash, watercolor, and white gouache, over graphite; framing lines in pen and black ink

Design for an Altar, plate 1 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Design for an Altar, plate 2 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Design for an Altar, plate 4 from an Untitled Series of Designs for Altars

Jacob Gottlieb Thelot

printed ca. 1750–56 · Etching

Design for the Left Half of an Altar

Mauro Antonio Tesi (d. 1766)

1750–66 · Pen and deep brown ink, brush and brown wash

Design for One Half of an Altar, with an Angel (of the Annunciation) at the left

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–80 · Pen and brown ink, over leadpoint

Half design for the decoration of an Altar with Putti

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and ink over graphite; framing outlines in graphite (recto); pen and ink (verso)