
Design for the Decoration of the Semi-Dome of a Church Apse
Battista Franco (d. 1561)
ca. 1545–55 · Pen and brown ink, brush and gray wash, over black chalk and ruling in black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
237 ms. The Metropolitan Museum of Art, Collection API (Open Access)
393 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,073 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for the Decoration of the Semi-Dome of a Church Apse
Battista Franco (d. 1561)
ca. 1545–55 · Pen and brown ink, brush and gray wash, over black chalk and ruling in black chalk
Cleared · Public Domain
live
Design for the Proposed Church at Middlesborough
John Green (d. 1852)
1837 · Pen and brown ink, watercolor
Cleared · Public Domain
live
Design for Proposed Column Lights, St. Jude's Church, Southsea
Richardson Ellson & Co.
1877 · Pen and ink, brush and wash and watercolor
Cleared · Public Domain
live
Design for a Stage Set at the Opéra, Paris: Church Interior
Eugène Cicéri (d. 1890)
1830–90 · Pen and gray, red, and black ink, brush and gray wash, over graphite
Cleared · Public Domain
live
Design for a Stage Set at the Opéra, Paris: Church Interior
Eugène Cicéri (d. 1890)
1830–90 · Brush and brown and green wash, gouache, over graphite
Cleared · Public Domain
live
Design for a Stage Set at the Opéra, Paris: Church Interior
Eugène Cicéri (d. 1890)
1830–90 · Graphite
Cleared · Public Domain
live
Design for a Stage Set at the Opéra, Paris: Church Interior
Eugène Cicéri (d. 1890)
1830–90 · Pen and gray ink, brush and gray wash, gouache, over graphite
Cleared · Public Domain
live
Design for a Stage Set at the Opéra, Paris: Church Interior
Eugène Cicéri (d. 1890)
1830–90 · Pen and red ink, gouache, and graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Pavilion at Brighton, West Front
Joseph Constantine Stadler (d. 1822)
1808 · Aquatint and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Proposed Railroad for Broadway, New York
H. A. Harvey (d. 1900)
1872 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Clustered Columns, First Presbyterian Church, Poughkeepsie, New York
Louis C. Tiffany (d. 1933)
1906-08 · Watercolor and graphite on paper
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Chapel of the Angels, St. Michael's Episcopal Church, New York, New York
Louis C. Tiffany (d. 1933)
1919-20 · Transparent and opaque watercolor, ink, metallic paint, and graphite on paper mounted on paperboard
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.