Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
378 ms. The Metropolitan Museum of Art, Collection API (Open Access)
337 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 25,779 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Design for an Octagonal Table and Top (recto); Design for Altar or Tomb Monument (verso)
Anonymous, Italian, 16th century (d. 1600)
ca. 1530–60 · Pen and brown ink, brush and gray-brown wash (recto); pen and brown ink, brush and brown wash (verso)
Cleared · Public Domain
live
Pendant Design with Pax Standing Before an Arch
Jan Collaert I (d. 1581)
after 1581 · Engraving; second state of two (New Hollstein)
Cleared · Public Domain
live
Design for an with Tournament Headdress
Baccio del Bianco (d. 1656)
ca. 1620–56 · Black ink with gray, green, brown and pink washes
Cleared · Public Domain
live
Upper Section of an Arch
Unrecorded maker
late 17th century · Wood
Cleared · Public Domain
live
Design for the Top of an Arch, Decorated with a Cherub (recto); Design for the Frame of a Frieze (verso)
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and brown ink, brush and brown wash over black chalk (recto); pen and brown ink over black chalk (verso)
Cleared · Public Domain
live
Design for the Decoration over an Arch with the Personification of Justice
Anonymous, Italian (d. 2050)
1680–1730 · Pen and brown ink, brush with gray and brown wash, over black chalk
Cleared · Public Domain
live
Prayer Rug with Triple Arch Design
Unrecorded maker
probably late 18th century · Wool (warp, weft, and pile); symmetrically knotted pile
Cleared · Public Domain
live
Prayer Rug with Triple Arch Design
Unrecorded maker
18th century · Wool (warp, weft, and pile); symmetrically knotted pile
Cleared · Public Domain
live
Design for a Decorated Console with Two Slaves on Top of an Eagle
Giuseppe Bernardino Bison (d. 1844)
1782–1844 · Pen and brown ink, brush and gray wash
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a City Gate in the Shape of a Triumphal Arch with a Tall Central Arch Topped with a Pediment, from Desseins d'Arc de Triomphe, part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
published 1703 or 1712 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Triumphal Arch with Imagery celebrating Architecture
Anonymous, Central European, 18th century (d. 1800)
ca. 1720–50 · Pen and ink with wash over graphite underdrawing
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panel with Ornamental Design on White, Alternating with an Arch with Four Ovals
Anonymous, French, 20th century (d. 2000)
ca. 1910–29 · Charcoal, gouache and gold paint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.