
The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi)
Lo Spagna (Giovanni di Pietro) (d. 1528)
1514–16 · Charcoal or black chalk; outlines pricked and pounced for transfer
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
498 ms. The Metropolitan Museum of Art, Collection API (Open Access)
350 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 69 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi)
Lo Spagna (Giovanni di Pietro) (d. 1528)
1514–16 · Charcoal or black chalk; outlines pricked and pounced for transfer
Cleared · Public Domain
live
Bishop Saint in Bust-Length (Cartoon for an Altarpiece)
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1529–30 · Brush and brown wash over black chalk
Cleared · Public Domain
live
Design for the Tomb of a Youth
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1524–25 · Pen and brown ink, brush and brown and yellow wash, over leadpoint and stylus ruling, the paper rubbed with charcoal
Cleared · Public Domain
live
Design for the Tabernacle of the Sistine Chapel in the Santa Maria Maggiore in Rome
Bastiano Torrigiani
ca. 1585–90 · Pen and ink
Cleared · Public Domain
live
Unexecuted Design for the Façade of the Church of Santa Maria in Araceli in the city of Vicenza
Giacomo Monticolo of Vicenza (d. 1700)
1608 · Pen and brown ink and brush and brown wash
Cleared · Public Domain
live
Allegorical Figure of Faith
Giovanni Battista Gaulli (Il Baciccio) (d. 1709)
1672 · Pen and brown ink, brush and brown wash, highlighted with white, over a little black chalk, on brownish paper
Cleared · Public Domain
live
Design for a Sarcophagus Supported by Putti for the Church of S. Maria Maddalena de' Pazzi, Florence
Giovanni Battista Foggini (d. 1725)
1652–1725 · Pen and brown ink, brush and gray wash over black chalk or graphite
Cleared · Public Domain
live
A View of the Vestibule of Santa Maria Maggiore at Rome
Georges François Blondel (d. 1792)
1765–67 · Mezzotint; published state
Cleared · Public Domain
live
Study for the Decoration of a Vault
Carlo Alberto Baratta (d. 1815)
1754–1815 · Brush with gray wash and gouache, highlighted with white and traces of light yellow, partly over traces of black chalk, on blue-green prepared paper, now faded
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Study for the decoration of the vaulting of Santa Maria della Steccata, Parma with two female figures holding amphorae on their heads
Hendrik van der Borcht II (d. 1690)
1637 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Vaulting of Santa Maria Steccata, from "Prove di Vari Rami Inediti [...]"
Francesco Rosaspina (d. 1841)
19th century · Etching; proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Vaulting of Santa Maria Steccata, from "Prove di Vari Rami Inediti [...]"
Francesco Rosaspina (d. 1841)
19th century · Etching
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.