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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    498 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    350 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 69 matching records exist across the two collections.

Results for "Design for the Vaulting of Santa Maria S"12 records

Institutions answered newest-first by record, interleaved

The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi) by Lo Spagna (Giovanni di Pietro), The Metropolitan Museum of Art

The Blessed Egidius (Cartoon for a Fresco in chapel at S. Maria degli Angeli, Assisi)

Lo Spagna (Giovanni di Pietro) (d. 1528)

1514–16 · Charcoal or black chalk; outlines pricked and pounced for transfer

Cleared · Public Domain

live
The MetSimilar
Bishop Saint in Bust-Length (Cartoon for an Altarpiece) by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Bishop Saint in Bust-Length (Cartoon for an Altarpiece)

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

1529–30 · Brush and brown wash over black chalk

Cleared · Public Domain

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The MetSimilar
Design for the Tomb of a Youth by Parmigianino (Girolamo Francesco Maria Mazzola), The Metropolitan Museum of Art

Design for the Tomb of a Youth

Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)

1524–25 · Pen and brown ink, brush and brown and yellow wash, over leadpoint and stylus ruling, the paper rubbed with charcoal

Cleared · Public Domain

live
The MetSimilar
Design for the Tabernacle of the Sistine Chapel in the Santa Maria Maggiore in Rome by Bastiano Torrigiani, The Metropolitan Museum of Art

Design for the Tabernacle of the Sistine Chapel in the Santa Maria Maggiore in Rome

Bastiano Torrigiani

ca. 1585–90 · Pen and ink

Cleared · Public Domain

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The MetSimilar
Unexecuted Design for the Façade of the Church of Santa Maria in Araceli in the city of Vicenza by Giacomo Monticolo of Vicenza, The Metropolitan Museum of Art

Unexecuted Design for the Façade of the Church of Santa Maria in Araceli in the city of Vicenza

Giacomo Monticolo of Vicenza (d. 1700)

1608 · Pen and brown ink and brush and brown wash

Cleared · Public Domain

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The MetSimilar
Allegorical Figure of Faith by Giovanni Battista Gaulli (Il Baciccio), The Metropolitan Museum of Art

Allegorical Figure of Faith

Giovanni Battista Gaulli (Il Baciccio) (d. 1709)

1672 · Pen and brown ink, brush and brown wash, highlighted with white, over a little black chalk, on brownish paper

Cleared · Public Domain

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The MetSimilar
Design for a Sarcophagus Supported by Putti for the Church of S. Maria Maddalena de' Pazzi, Florence by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for a Sarcophagus Supported by Putti for the Church of S. Maria Maddalena de' Pazzi, Florence

Giovanni Battista Foggini (d. 1725)

1652–1725 · Pen and brown ink, brush and gray wash over black chalk or graphite

Cleared · Public Domain

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The MetSimilar
A View of the Vestibule of Santa Maria Maggiore at Rome by Georges François Blondel, The Metropolitan Museum of Art

A View of the Vestibule of Santa Maria Maggiore at Rome

Georges François Blondel (d. 1792)

1765–67 · Mezzotint; published state

Cleared · Public Domain

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The MetSimilar
Study for the Decoration of a Vault by Carlo Alberto Baratta, The Metropolitan Museum of Art

Study for the Decoration of a Vault

Carlo Alberto Baratta (d. 1815)

1754–1815 · Brush with gray wash and gouache, highlighted with white and traces of light yellow, partly over traces of black chalk, on blue-green prepared paper, now faded

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for the decoration of the vaulting of Santa Maria della Steccata, Parma with two female figures holding amphorae on their heads

Hendrik van der Borcht II (d. 1690)

1637 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for the Vaulting of Santa Maria Steccata, from "Prove di Vari Rami Inediti [...]"

Francesco Rosaspina (d. 1841)

19th century · Etching; proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for the Vaulting of Santa Maria Steccata, from "Prove di Vari Rami Inediti [...]"

Francesco Rosaspina (d. 1841)

19th century · Etching

In copyright

live
The MetSimilar

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