
Design for a Wall Monument
Francesco di Giorgio Martini (d. 1501)
ca. 1490 · Pen and brown ink, brush and brown wash, blue gouache, on vellum
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
309 ms. The Metropolitan Museum of Art, Collection API (Open Access)
373 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17,603 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Wall Monument
Francesco di Giorgio Martini (d. 1501)
ca. 1490 · Pen and brown ink, brush and brown wash, blue gouache, on vellum
Cleared · Public Domain
live
Design for a Wall Elevation with Grotesques
Anonymous, Italian, second half of the 16th century (d. 1600)
ca. 1540–70 · Pen and brown ink, brush and brown wash; some stylus ruling; highlighted with white gouache; on blue paper
Cleared · Public Domain
live
Design for the Decoration of a Palace Wall (Veronese Palazzo?)
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)
ca. 1550–70 · Pen and brown ink, brush and brown wash, over black chalk
Cleared · Public Domain
live
Design for a Stove and Wall Fountain (?)
Friedrich Sustris (d. 1599)
1598 · Pen and brown ink, brush and gray wash, over black chalk
Cleared · Public Domain
live
Design for a Wall-mounted Epitaph
Anonymous, Italian, 18th century (d. 1800)
ca. 1700–1730 · Pen and brown ink, brush with gray, yellow, and pink wash
Cleared · Public Domain
live
Design for the Decorative Scheme of a Wall
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
ca. 1700–40 · Red chalk, brush and red wash over red chalk; ruled construction in leadpoint
Cleared · Public Domain
live
Design for a Wall Elevation
Etienne de Lavallée-Poussin (d. 1793)
ca. 1770–80 · Pen and black ink with brush and gray, brown, green, and blue washes over graphite underdrawing
Cleared · Public Domain
live
Design for the Elevation of a Wall Interior
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash, over leadpoint or graphite, with ruled and compass construction; framing outlines in pen and brown ink
Cleared · Public Domain
live
Design for the Elevation of a Wall Interior
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and dark brown ink over leadpoint, with ruled and compass construction
Cleared · Public Domain
live
Design for the decoration of a wall in Islamic motifs
Jules-Edmond-Charles Lachaise (d. 1897)
second half 19th century · graphite on tracing paper glued to cardboard
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Wall of a Library in a late Rococo Style
Mewès and Davis (d. 1950)
ca. 1900–14 · Watercolor over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Wall of a Library in Rococo Style
Mewès and Davis (d. 1950)
ca. 1900–14 · Watercolor over graphite
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.