
Design for a Façade (unfinished)
Anonymous, Italian, late 16th century (d. 1600)
late 16th century · Pen and brown ink, brush and gray wash, over black chalk
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1617 ms. The Metropolitan Museum of Art, Collection API (Open Access)
321 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 20,838 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Design for a Façade (unfinished)
Anonymous, Italian, late 16th century (d. 1600)
late 16th century · Pen and brown ink, brush and gray wash, over black chalk
Cleared · Public Domain
live
Eighteen Views of Rome: The Piazza Farnese (recto); Cartouche (verso)
Lievin Cruyl (d. 1720)
1664 · Drawing, pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink
Cleared · CC0
live
Design in Elevation for the Façade of a Building
Cigoli (Ludovico Cardi) (d. 1613)
1590–1610 · Pen and dark brown ink, brush and brown wash, over leadpoint or black chalk
Cleared · Public Domain
live
First Bank of the United States, Philadelphia
Frederick DeBourg Richards (d. 1903)
1859 · Photograph, salted paper print from wet collodion negative
Cleared · CC0
live
Design for a Façade
Pietro Paolo Coccetti (Cocchetti) (d. 1727)
1710–27 · Pen and brown ink, over ruling in graphite
Cleared · Public Domain
live
Eighteen Views of Rome: The Piazza Farnese (recto)
Lievin Cruyl (d. 1720)
1664 · Drawing, pen and brown ink and brush and gray and blue wash over graphite; squared in graphite (two figures in the foreground); framing lines in brown ink
Cleared · CC0
live
Design for a Façade
Pietro Paolo Coccetti (Cocchetti) (d. 1727)
1710–27 · Pen and brown ink, brush and gray wash, over ruling in graphite
Cleared · Public Domain
live
Cartouche (verso)
Lievin Cruyl (d. 1720)
1664 · Drawing, graphite
Cleared · CC0
live
Design for a Façade
Anonymous, French, 18th century (d. 1800)
mid-18th century · Pen and black ink, brush and gray wash
Cleared · Public Domain
live
Architectural Design for a Façade
Ferenc (Franz) Speth (d. 1769)
1739–69 · Watercolor and pen and black ink
Cleared · Public Domain
live
Design for a Façade
Anonymous, Italian, 18th century (d. 1800)
18th century · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Design for the façade of a building
Anonymous, German, 18th century (d. 1800)
18th century · Pen and gray ink, brush and gray and black wash; framing lines in pen and brown ink
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.