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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    365 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    450 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 3,785 matching records exist across the two collections.

Results for "Design for the right half of a chimneypi"12 records

Institutions answered newest-first by record, interleaved

Design for a Wall Elevation with Grotesques by Anonymous, Italian, second half of the 16th century, The Metropolitan Museum of Art

Design for a Wall Elevation with Grotesques

Anonymous, Italian, second half of the 16th century (d. 1600)

ca. 1540–70 · Pen and brown ink, brush and brown wash; some stylus ruling; highlighted with white gouache; on blue paper

Cleared · Public Domain

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The MetSimilar
Design for the Right Pauldron of a Parade Armor by Jean Cousin the Elder, The Metropolitan Museum of Art

Design for the Right Pauldron of a Parade Armor

Jean Cousin the Elder (d. 1565)

ca. 1555 · Pen and ink with watercolor wash on paper

Cleared · Public Domain

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The MetSimilar
Right and Part of the Left Half of a Design for a Cartouche by Michelangelo Colonna, The Metropolitan Museum of Art

Right and Part of the Left Half of a Design for a Cartouche

Michelangelo Colonna (d. 1687)

1624–87 · Pen and ink, over faint traces of black chalk

Cleared · Public Domain

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The MetSimilar
Left Half of a Wall Decoration for a Chapel by Francesco Ferrari, The Metropolitan Museum of Art

Left Half of a Wall Decoration for a Chapel

Francesco Ferrari (d. 1708)

ca. 1690 · Pen, brown ink and wash with touches of blue and green wash, over black chalk

Cleared · Public Domain

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The MetSimilar
Design for the left half of a chimneypiece by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Design for the left half of a chimneypiece

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash, over leadpoint

Cleared · Public Domain

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The MetSimilar
Design for the right half of a chimneypiece by Anonymous, Italian, 17th century, The Metropolitan Museum of Art

Design for the right half of a chimneypiece

Anonymous, Italian, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash, over leadpoint

Cleared · Public Domain

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The MetSimilar
Design for the Right Half of an Overdoor Decoration with a Bust by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for the Right Half of an Overdoor Decoration with a Bust

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, brush and gray-brown wash; a vertical graphite line through the center of the design

Cleared · Public Domain

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The MetSimilar
Design for the Decorative Scheme of a Wall by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for the Decorative Scheme of a Wall

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

ca. 1700–40 · Red chalk, brush and red wash over red chalk; ruled construction in leadpoint

Cleared · Public Domain

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The MetSimilar
Right Half of a Design for an Altar in Rococo Style by Anonymous, German, South Germany, 18th century, The Metropolitan Museum of Art

Right Half of a Design for an Altar in Rococo Style

Anonymous, German, South Germany, 18th century (d. 1799)

ca. 1735–50 · Pen and brown ink, brush and gray and red wash

Cleared · Public Domain

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The MetSimilar
Design for one half of an Altar with a Pilastered Wall at the Right by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for one half of an Altar with a Pilastered Wall at the Right

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and gray wash, over graphite, with ruled and compass construction. Scales at bottom in pen and brown ink; framing lines in pen and brown ink

Cleared · Public Domain

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The MetSimilar
One Half of a Design for an Arch, With a Figural Sketch Pasted at lower right by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

One Half of a Design for an Arch, With a Figural Sketch Pasted at lower right

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and brown ink, brush and green wash, over leadpoint or graphite (recto); red chalk (verso)

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vertical Symmetrical Design with Lines of Squares at Center, with Only the Right Half Painted

Anonymous, French, 20th century (d. 2000)

ca. 1910–29 · Charcoal, gouache and gold paint

In copyright

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The MetSimilar

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