Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    305 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    306 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6,582 matching records exist across the two collections.

Results for "Design for wall elevation"12 records

Institutions answered newest-first by record, interleaved

Design for a Wall Elevation with Grotesques by Anonymous, Italian, second half of the 16th century, The Metropolitan Museum of Art

Design for a Wall Elevation with Grotesques

Anonymous, Italian, second half of the 16th century (d. 1600)

ca. 1540–70 · Pen and brown ink, brush and brown wash; some stylus ruling; highlighted with white gouache; on blue paper

Cleared · Public Domain

live
The MetSimilar
Design for Exterior Wall Elevation by Anonymous, Italian, Piedmontese, 17th century, The Metropolitan Museum of Art

Design for Exterior Wall Elevation

Anonymous, Italian, Piedmontese, 17th century (d. 1700)

17th century · Pen and brown ink, brush and brown wash, over black chalk, with ruled and compass construction

Cleared · Public Domain

live
The MetSimilar
Design for a Wall Elevation by Simon Schijnvoet, The Metropolitan Museum of Art

Design for a Wall Elevation

Simon Schijnvoet (d. 1727)

late 17th–early 18th century · Pen and brown ink, brush and pink and gray washes, over traces of black chalk.

Cleared · Public Domain

live
The MetSimilar
Design for Wall Elevation and Ceiling by Anonymous, Italian, 18th century, The Metropolitan Museum of Art

Design for Wall Elevation and Ceiling

Anonymous, Italian, 18th century (d. 1800)

1740–50 · Pen, brush, and brown ink

Cleared · Public Domain

live
The MetSimilar
Design for a Wall Elevation by Etienne de Lavallée-Poussin, The Metropolitan Museum of Art

Design for a Wall Elevation

Etienne de Lavallée-Poussin (d. 1793)

ca. 1770–80 · Pen and black ink with brush and gray, brown, green, and blue washes over graphite underdrawing

Cleared · Public Domain

live
The MetSimilar
Design for an Interior Wall Elevation by Anonymous, Italian, Piedmontese, 18th century, The Metropolitan Museum of Art

Design for an Interior Wall Elevation

Anonymous, Italian, Piedmontese, 18th century (d. 1800)

1700–1780 · Pen and gray ink, brush with black, gray, pink, and yellow wash, over ruled and compass constructions in pen and gray ink; framing outlines in pen and brown ink; scale, below the design, in pen and black ink, brush and gray and pink wash

Cleared · Public Domain

live
The MetSimilar
Design for Wall Elevation, Hôtel Candamo by Jules-Edmond-Charles Lachaise, The Metropolitan Museum of Art

Design for Wall Elevation, Hôtel Candamo

Jules-Edmond-Charles Lachaise (d. 1897)

1873 · Pen and black ink, watercolor

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Wall Elevation with Magnolias

Auguste Herbst (d. 1951)

1898 · Pen and gray ink, brush and crimson, rose and green wash, heightened with silver and gold

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Wall Elevation with Diapered Wainscoting and a Coffered Ceiling

John Gregory Crace (d. 1889)

19th century · Watercolor over graphite with touches of gilt

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Wall Elevation with Double Doors (Fifth Floor)

Mewès and Davis (d. 1950)

ca. 1900–14 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a Wall Elevation with Two Windows (Fifth Floor)

Mewès and Davis (d. 1950)

ca. 1900–14 · Watercolor over graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for wall elevation

Louis C. Tiffany (d. 1933)

late 19th–early 20th century · Watercolor, pen and black India ink, and graphite on artist board

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.