Christ with the Instruments of Torture Supported by a Little Angel
Hans Baldung (called Hans Baldung Grien) (d. 1545)
1517 · Woodcut; first of two states
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
393 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
306 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 301 matching records exist across the two collections.
Results for "Design of Dead Christ Supported by Two A"12 records
Institutions answered newest-first by record, interleaved
Christ with the Instruments of Torture Supported by a Little Angel
Hans Baldung (called Hans Baldung Grien) (d. 1545)
1517 · Woodcut; first of two states
Cleared · Public Domain
liveThe MetSimilar
Studies of the Dead Christ supported by an Angel, with subsidiary studies for the same composition
Poppi (Francesco Morandini) (d. 1597)
ca. 1570 · Red and black chalk
Cleared · Public Domain
liveThe MetSimilar
Design of Dead Christ Supported by Two Angels a Saint
Marco Marchetti (Marco da Faenza) (d. 1588)
1553–88 · Pen and brown ink, brush and brown wash over traces of leadpoint
Cleared · Public Domain
liveThe MetSimilar
The Dead Christ Supported by Three Figures
Giovanni Battista Naldini (d. 1591)
1537–91 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on brown-washed paper
Cleared · Public Domain
liveThe MetSimilar
Dead Christ Lamented by an Angel
Jan Muller (d. 1628)
ca. 1595 · Engraving; New Holl.'s second state of three
Cleared · Public Domain
liveThe MetSimilar
Lamentation over the Dead Christ
Francesco Curia (d. 1608)
1565–1608 · Pen and brown ink, brush and violet wash, over traces of black chalk
Cleared · Public Domain
liveThe MetSimilar
The Dead Christ in the Tomb with Two Angels
Abraham Janssen van Nuyssen (d. 1632)
ca. 1610 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Pietà, the dead Christ supported by the Virgin, putti at the left
Joost de Pape (d. 1646)
ca. 1633–46 · Etching
Cleared · Public Domain
liveThe MetSimilar
Dead Christ Supported by Angels
Francesco Trevisani (d. 1746)
ca. 1710 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Design for a Fountain: Bowl Supported by Two Sphynxes
Anonymous, Italian, 18th century (d. 1800)
18th century · Pen and brown ink, brush and brown wash, over graphite; ruled diagonal lines in graphite or lead running across upper half of sheet
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for Christ Enthroned Window
Frederick Wilson (d. 1932)
ca. 1906 · Watercolor, pen and brown India ink, graphite
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.