Repeating Flintlock Pistol
Michele Lorenzoni (d. 1733)
ca. 1690–1700 · Steel, wood, silver
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
385 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
298 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 390 matching records exist across the two collections.
Results for "Design of a Flintlock, Side Plate, Butt"12 records
Institutions answered newest-first by record, interleaved
Flintlock Gun
Louis Jaley (d. 1773)
dated 1735 · Steel, gold, wood, silver
Cleared · Public Domain
liveThe MetSimilar
Design of a Flintlock, Side Plate, Butt Plate, and Trigger Guard, unnumbered plate from Nouveaux Desseins d'Arquebuserie Inventez et Gravez par Le Sr. Gillot
Claude Gillot (d. 1722)
ca. 1715 · Etching, engraving
Cleared · Public Domain
liveThe MetSimilar
Flintlock Longrifle
George Schreyer, Sr. (d. 1819)
ca. 1770 · Wood (maple), steel, iron, brass
Cleared · Public Domain
liveThe MetSimilar
Flintlock Pistol
John Hall (d. 1800)
ca. 1771–72 · Steel, wood (walnut), brass, silver
Cleared · Public Domain
liveThe MetSimilar
Pair of Flintlock Turn-Off Pistols
Daniel Moore (d. 1800)
ca. 1760–80 · Steel, wood (walnut), silver
Cleared · Public Domain
liveThe MetSimilar
Flintlock Gun
Unrecorded maker
17th–18th century · Iron, wood (likely mahogany), silver, brass, ivory
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 3, from "Pieces and ornaments of guns" (Plusieurs Pieces Et Ornements Darquebuzerie...)
Claude Simonin (d. 1693)
1684–1705 · Etching and engraving
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate 5, from "Pieces and ornaments of guns" (Plusieurs Pieces Et Ornements Darquebuzerie...)
Claude Simonin (d. 1693)
1684–1705 · Engraving and etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate from Plusieurs Pieces et Ornements Darquebuzerie...
De Lacollombe (d. 1736)
1705 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Plate from Nouveaux dessins d'arquebuseries...
De Lacollombe (d. 1736)
1705–36 · Etching
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flintlock Longrifle
John C. Ennis III (d. 2000)
1982 · Wood (maple), steel, silver, gold, brass
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.