Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
587 ms. The Metropolitan Museum of Art, Collection API (Open Access)
341 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,275 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Design for the Tomb of a Youth
Parmigianino (Girolamo Francesco Maria Mazzola) (d. 1540)
1524–25 · Pen and brown ink, brush and brown and yellow wash, over leadpoint and stylus ruling, the paper rubbed with charcoal
Cleared · Public Domain
live
Design of the catafalque for Francesco Piccolomini, from "Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura"
Giovanni Florimi (d. 1635)
1607 · Engraving
Cleared · Public Domain
live
Design of the catafalque for Francesco Piccolomini, from "Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura"
Giovanni Florimi (d. 1635)
1608 · Engraving
Cleared · Public Domain
live
Design for the Catafalque of a Prince
Pier Francesco Battistelli (d. 1625)
ca. 1610–25 · Pen and brown ink, brush and brown wash, over black chalk incised by the engraver
Cleared · Public Domain
live
Design for a Fountain with Two Basins One on Top of the Other and Statues of Venus and Putti on the Top.
Francesco Fanelli (d. 1665)
1608–65 · Pen and black and brown ink, brush and gray wash over traces of graphite, with vertical line in graphite through the center to create the symmetry of the design
Cleared · Public Domain
live
Design for a Fountain with Neptune in his Chariot
Francesco Fontebasso (d. 1769)
ca. 1740–60 · Black and red chalk, pen and brown ink, brush and brown wash
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
For the Benefit of Mr. Jones
Francesco Bartolozzi (d. 1815)
1785 · Etching and stipple engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Monumental Design (Carlo Cignani (?)): Seventy-three prints engraved by F. Bartolozzi &c. from the Original Pictures and Drawings of Michaelangelo, Domenichino, Annibal, Lodovico, and Agostino Carraci, Guercino, P. da Cortona, Carlo Maratti, Elisabetta Sirani, Pellegrino Tibaldi, Franceschino &c. in the collection of His Majesty, &c., vol. II
Francesco Bartolozzi (d. 1815)
1793–98 · Etching and engraving, printed in brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Vaulting of Santa Maria Steccata, from "Prove di Vari Rami Inediti [...]"
Francesco Rosaspina (d. 1841)
19th century · Etching; proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for the Vaulting of Santa Maria Steccata, from "Prove di Vari Rami Inediti [...]"
Francesco Rosaspina (d. 1841)
19th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tomb design with the Virgin and Child surrounded by Cherubs, from "Prove di Vari Rami Inediti [...]"
Francesco Rosaspina (d. 1841)
19th century · Etching and aquatint with brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Tomb design with the Virgin and Child surrounded by Cherubs, from "Prove di Vari Rami Inediti [...]"
Francesco Rosaspina (d. 1841)
19th century · Etching; proof
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.