
Designs for Two Chairs
Charles Hindley and Sons (d. 1917)
1841–84 · Pen and black ink
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
226 ms. The Metropolitan Museum of Art, Collection API (Open Access)
276 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12,129 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Designs for Two Chairs
Charles Hindley and Sons (d. 1917)
1841–84 · Pen and black ink
Cleared · Public Domain
live
Designs for Two Chairs
Charles Hindley and Sons (d. 1917)
1841–84 · Watercolor over graphite
Cleared · Public Domain
live
Designs for Two Chairs
Charles Hindley and Sons (d. 1917)
1841–84 · Watercolor over graphite
Cleared · Public Domain
live
Designs for Two Chairs
Charles Hindley and Sons (d. 1917)
1841–84 · Watercolor over graphite
Cleared · Public Domain
live
Designs for Two Candelabras and Two Urns
Anonymous, French, 19th century (d. 1900)
19th century · Pen and brown ink
Cleared · Public Domain
live
Designs for Two Servers and an Urn
Anonymous, French, 19th century (d. 1900)
19th century · Pen and brown ink
Cleared · Public Domain
live
Designs for Two Servers and Two Compote Dishes
Anonymous, French, 19th century (d. 1900)
19th century · Pen and brown ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two designs for brooches with ribbons and stones
F. Mellerio Borgnis
ca. 1830–70 · Graphite, pen and black, green, red, yellow, silver, and gold ink, heightened with gray wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Compote
New England Glass Company (d. 1888)
ca. 1876 · Cut and engraved glass
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for One Stickpin and Two Ornaments
Edgar Gilstrap Simpson (d. 1945)
1899 · Graphite and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Two Designs for Hinges
Edgar Gilstrap Simpson (d. 1945)
1899 · Graphite and gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for Two Pendants and Two Bracelets with Figurative Motifs
Anonymous, French, 19th century (d. 1900)
ca. 1900 · Graphite, pen and black ink, watercolor, and gouache on buff paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.