
Gold pendant on chain
Unrecorded maker
ca. 2300–2100 BCE · Gold
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
300 ms. The Metropolitan Museum of Art, Collection API (Open Access)
435 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 947 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Gold pendant on chain
Unrecorded maker
ca. 2300–2100 BCE · Gold
Cleared · Public Domain
live
Heraldic chain with pendant badge
Michael Botza (d. 1633)
early 17th century · Partly enameled gold, pearl
Cleared · Public Domain
live
Pendant (Jkumka), One of a Pair
Unrecorded maker
19th century · Gold
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Jeweled Pendant: GR
John Bridge (d. 1834)
1780–1834 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Jeweled Pendant
John Bridge (d. 1834)
1780–1850 · Pen and ink over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for a Jeweled Chain and Pendant: GR
John Bridge (d. 1834)
1780–1850 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for a Jeweled Pendant: GR
John Bridge (d. 1834)
1780–1850 · Pen and ink over graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for a chatelaine brooche and a pendant earring
F. Mellerio Borgnis
ca. 1830–70 · Graphite, gray wash, and black and white gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Pendant in the form of a gondola
Unrecorded maker
probably second half 19th century · Enameled gold set with diamonds, emeralds, rubies and pearls and with pendant pearls
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Gold Pendant with a Chain Motif and Diamonds
Anonymous, French, 19th century (d. 1900)
ca. 1870–1900 · Lithograph, ink, gouache and gold pigment
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for Four Tiepins and a Pendant with Figurative Motifs
Anonymous, French, 19th century (d. 1900)
ca. 1900 · Graphite, pen and black ink, watercolor, and gouache on buff paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.