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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    567 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    270 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 17 matching records exist across the two collections.

Results for "Designs for a Majolica Vase (recto); Sal"12 records

Institutions answered newest-first by record, interleaved

Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso) by Taddeo Zuccaro, The Metropolitan Museum of Art

Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso)

Taddeo Zuccaro (d. 1566)

1529–66 · Pen and brown ink, brush and brown wash

Cleared · Public Domain

live
The MetSimilar
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 16 (recto) by Anonymous, Dutch, 17th century, The Metropolitan Museum of Art

Album of designs for embroidery: bodices, gauntlets, caps, bags, page 16 (recto)

Anonymous, Dutch, 17th century (d. 1700)

1615–35 · pen and ink; some with wash

Cleared · Public Domain

live
The MetSimilar
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 44 (recto) by Anonymous, Dutch, 17th century, The Metropolitan Museum of Art

Album of designs for embroidery: bodices, gauntlets, caps, bags, page 44 (recto)

Anonymous, Dutch, 17th century (d. 1700)

1615–35 · pen and ink; some with wash

Cleared · Public Domain

live
The MetSimilar
Design for an Overdoor Decoration (recto); Rinceaux (verso) by Gregorio de' Ferrari, The Metropolitan Museum of Art

Design for an Overdoor Decoration (recto); Rinceaux (verso)

Gregorio de' Ferrari (d. 1726)

ca. 1670–90 · Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso)

Cleared · Public Domain

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The MetSimilar
Design for a Chalice (recto); Design for the Base of a Vase (verso) by Giovanni Battista Foggini, The Metropolitan Museum of Art

Design for a Chalice (recto); Design for the Base of a Vase (verso)

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, brush and brown wash, over black chalk (recto); graphite (verso)

Cleared · Public Domain

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The MetSimilar
Sheet with sketches and designs for two vases, three classical heads en profil and two slave figures (recto); Design for a Vase and a Nude Male Figure (verso) by Giovanni Battista Foggini, The Metropolitan Museum of Art

Sheet with sketches and designs for two vases, three classical heads en profil and two slave figures (recto); Design for a Vase and a Nude Male Figure (verso)

Giovanni Battista Foggini (d. 1725)

1672–1725 · Pen and brown ink, brush and gray wash over black chalk (recto); pen and brown ink, brush and gray wash, black chalk (verso)

Cleared · Public Domain

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The MetSimilar
Design for a Vase (recto); Sketch of Small Vase (verso) by Jacques François Joseph Saly, The Metropolitan Museum of Art

Design for a Vase (recto); Sketch of Small Vase (verso)

Jacques François Joseph Saly (d. 1776)

ca. 1752 · Pen and brown ink over graphite (recto); graphite (verso)

Cleared · Public Domain

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The MetSimilar
Design for a Plumed Oil Lamp (recto); Sketches for a vase and oil lamp (verso) by Anonymous, French, 18th century, The Metropolitan Museum of Art

Design for a Plumed Oil Lamp (recto); Sketches for a vase and oil lamp (verso)

Anonymous, French, 18th century (d. 1800)

ca. 1770–90 · Graphite

Cleared · Public Domain

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The MetSimilar
Two Designs for Vases (recto); Variant Design for a Vase (verso) by Ennemond Alexandre Petitot, The Metropolitan Museum of Art

Two Designs for Vases (recto); Variant Design for a Vase (verso)

Ennemond Alexandre Petitot (d. 1801)

1801 · Pen and brown ink, brush and brown wash, over black chalk underdrawing (recto); pen and brown ink (verso)

Cleared · Public Domain

live
The MetSimilar
Grave Monument with Vase, for "Rhodes" (recto); Scaffolding and pulley systems (verso) by Alexander Maxwell, The Metropolitan Museum of Art

Grave Monument with Vase, for "Rhodes" (recto); Scaffolding and pulley systems (verso)

Alexander Maxwell (d. 1880)

1840–80 · Ink and wash (recto); graphite (verso)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Designs for a Majolica Vase (recto); Salt- and Peppercellar, Serving Spoon and Mustard Pot (verso)

Anonymous, German, 19th century (d. 1899)

1870 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for a trophy (recto); Partial sketch of a vase (verso)

Sir Frank William Brangwyn (d. 1956)

ca. 1899 · Pen and black ink, brush and white gouache (bodycolor), and graphite (recto); graphite (verso)

In copyright

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The MetSimilar

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