
Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso)
Taddeo Zuccaro (d. 1566)
1529–66 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
567 ms. The Metropolitan Museum of Art, Collection API (Open Access)
270 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 17 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso)
Taddeo Zuccaro (d. 1566)
1529–66 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 16 (recto)
Anonymous, Dutch, 17th century (d. 1700)
1615–35 · pen and ink; some with wash
Cleared · Public Domain
live
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 44 (recto)
Anonymous, Dutch, 17th century (d. 1700)
1615–35 · pen and ink; some with wash
Cleared · Public Domain
live
Design for an Overdoor Decoration (recto); Rinceaux (verso)
Gregorio de' Ferrari (d. 1726)
ca. 1670–90 · Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso)
Cleared · Public Domain
live
Design for a Chalice (recto); Design for the Base of a Vase (verso)
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and brown ink, brush and brown wash, over black chalk (recto); graphite (verso)
Cleared · Public Domain
live
Sheet with sketches and designs for two vases, three classical heads en profil and two slave figures (recto); Design for a Vase and a Nude Male Figure (verso)
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and brown ink, brush and gray wash over black chalk (recto); pen and brown ink, brush and gray wash, black chalk (verso)
Cleared · Public Domain
live
Design for a Vase (recto); Sketch of Small Vase (verso)
Jacques François Joseph Saly (d. 1776)
ca. 1752 · Pen and brown ink over graphite (recto); graphite (verso)
Cleared · Public Domain
live
Design for a Plumed Oil Lamp (recto); Sketches for a vase and oil lamp (verso)
Anonymous, French, 18th century (d. 1800)
ca. 1770–90 · Graphite
Cleared · Public Domain
live
Two Designs for Vases (recto); Variant Design for a Vase (verso)
Ennemond Alexandre Petitot (d. 1801)
1801 · Pen and brown ink, brush and brown wash, over black chalk underdrawing (recto); pen and brown ink (verso)
Cleared · Public Domain
live
Grave Monument with Vase, for "Rhodes" (recto); Scaffolding and pulley systems (verso)
Alexander Maxwell (d. 1880)
1840–80 · Ink and wash (recto); graphite (verso)
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for a Majolica Vase (recto); Salt- and Peppercellar, Serving Spoon and Mustard Pot (verso)
Anonymous, German, 19th century (d. 1899)
1870 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a trophy (recto); Partial sketch of a vase (verso)
Sir Frank William Brangwyn (d. 1956)
ca. 1899 · Pen and black ink, brush and white gouache (bodycolor), and graphite (recto); graphite (verso)
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.