Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
396 ms. The Metropolitan Museum of Art, Collection API (Open Access)
269 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,056 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Design for an Overdoor Decoration (recto); Rinceaux (verso)
Gregorio de' Ferrari (d. 1726)
ca. 1670–90 · Pen and brown ink, brush and brown wash, over traces of black chalk (recto); rinceaux in red chalk (verso)
Cleared · Public Domain
live
Design for the Right Half of an Overdoor Decoration with a Bust
Giovanni Battista Foggini (d. 1725)
1672–1725 · Pen and brown ink, brush and gray-brown wash; a vertical graphite line through the center of the design
Cleared · Public Domain
live
Design for an Overdoor Decoration (?) (recto); Part of a Doorway (verso)
Anonymous, Italian, Bolognese, 18th century (d. 1800)
1740–60 · Pen and brown ink, brush and wash, over black chalk (recto); pen and brown ink (verso)
Cleared · Public Domain
live
Design for an Overdoor Decoration with Variant (recto); Sketch of a Marbled Wall (verso)
Anonymous, Italian, Bolognese, 18th century (d. 1800)
1740–60 · Pen and brown ink, brush and wash, over black chalk (recto); pen and brown ink (verso)
Cleared · Public Domain
live
Designs for an Overdoor Decoration (recto); Various Sketches (verso)
Anonymous, Italian, Bolognese, 18th century (d. 1800)
1740–60 · Pen and brown ink, brush and wash, over black chalk (recto); black chalk (verso)
Cleared · Public Domain
live
Designs for One Half of an Overdoor, and One Half of a Pedestal (?)
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash, over traces of leadpoint or construction in leadpoint or graphite; framing outlines in pen and brown ink
Cleared · Public Domain
live
One Half of a Design for an Overdoor (?) (recto); Two Designs for Altars, one for a Capital (?) (verso)
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and gray wash, over ruled construction in leadpoint or graphite (recto); leadpoint or graphite (verso); some framing outlines
Cleared · Public Domain
live
Two Alternate Designs for a Decoration over an Arched Opening with an Ornamental Cove
Anonymous, Italian, Piedmontese, 18th century (d. 1800)
1700–1780 · Pen and brown ink, brush and green, dark yellow wash, over leadpoint, with ruled construction
Cleared · Public Domain
live
Ten designs for the painted decoration of an interior; one possibly for "Harwith"
Jules-Edmond-Charles Lachaise (d. 1897)
second half 19th century · graphite and pen and ink on various papers glued to carboard
Cleared · Public Domain
live
Two Designs for Doorways with Alternate Overdoor Decoration
Jules-Edmond-Charles Lachaise (d. 1897)
second half 19th century · Graphite, pen and black ink, and watercolor
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Panel with Two Overdoor Paintings, Above an Overmantel Painting of a Man and Woman Flanking a Vase, from Nouveau Liuvre de Taleaux de Portes, et cheminée utiles aux peintres en floeurs, Part of Œuvres du Sr. D. Marot
Daniel Marot the Elder (d. 1752)
after 1703–12 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for an Overdoor Painting and Two Wall Panels
Arthur B. Davies (d. 1928)
ca. 1900–1910 · Black and white crayon, gouache
In copyright
live1. Pin the work
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2. Read the arithmetic
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3. Seal and export
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