
Seven Designs for Hats.
Baccio del Bianco (d. 1656)
ca. 1620–56 · Brown ink and washes
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
307 ms. The Metropolitan Museum of Art, Collection API (Open Access)
309 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 1,201 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Seven Designs for Hats.
Baccio del Bianco (d. 1656)
ca. 1620–56 · Brown ink and washes
Cleared · Public Domain
live
Drawing with Seven Designs for Firearms Ornament
Jean-Francois Lucas (d. 1825)
1806 · Pen and black ink, with gray wash and traces of graphite, on paper
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for five bracelets with diamonds and pearls
F. Mellerio Borgnis
ca. 1830–70 · Graphite, pen and red, green, and yellow ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for five bracelets with natural motifs
F. Mellerio Borgnis
ca. 1830–70 · Pen and black, red, gold, green, and blue ink, with traces of graphite, heightened with white gouache
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for seven bracelets with natural motifs
F. Mellerio Borgnis
ca. 1830–70 · Graphite, pen and green, yellow, gold, and blue ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for seven bracelets with scrolling branches and leaves
F. Mellerio Borgnis
ca. 1830–70 · Graphite, pen and blue, green, yellow, and gold ink, heightened with gray wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for six bracelets with natural motifs
F. Mellerio Borgnis
ca. 1830–70 · Pen and black, green, yellow, and blue ink, with traces of graphite, heightened with gray wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Designs for three bracelets with scrolling branches and leaves
F. Mellerio Borgnis
ca. 1830–70 · Graphite, pen and yellow and green ink, with gold, heightened with gray wash and silver paint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Four designs for bracelets with pearls and stones
F. Mellerio Borgnis
ca. 1830–70 · Graphite heightened with gray wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Four designs for bracelets with stylized leaves and pearls
F. Mellerio Borgnis
ca. 1830–70 · Graphite, pen and black, green, and yellow ink, and gray wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Four designs for bracelets with stylized leaves and pearls
F. Mellerio Borgnis
ca. 1830–70 · Graphite
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Seven Sheets with Designs for Woven Textile Patterns
Wiener Werkstätte
1914–20 · 31: ink, watercolor and gouache on white paper or card, fabric swatches, with liftable overlay; 32: ink, watercolor and gouache on white paper or card, fabric swatch; 33: ink, watercolor and gouache on white paper or card, fabric swatch, with liftable overlay; 34: ink, watercolor and gouache on white paper or card, tracing paper, fabric swatches; 35: ink, watercolor and gouache on white paper or card; verso painted black; 36: ink, watercolor and gouache on brown paper; chalk on verso; 37: ink on thin brown paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.