Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    307 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    309 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,201 matching records exist across the two collections.

Results for "Designs for seven bracelets with scrolli"12 records

Institutions answered newest-first by record, interleaved

Seven Designs for Hats. by Baccio del Bianco, The Metropolitan Museum of Art

Seven Designs for Hats.

Baccio del Bianco (d. 1656)

ca. 1620–56 · Brown ink and washes

Cleared · Public Domain

live
The MetSimilar
Drawing with Seven Designs for Firearms Ornament by Jean-Francois Lucas, The Metropolitan Museum of Art

Drawing with Seven Designs for Firearms Ornament

Jean-Francois Lucas (d. 1825)

1806 · Pen and black ink, with gray wash and traces of graphite, on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Designs for five bracelets with diamonds and pearls

F. Mellerio Borgnis

ca. 1830–70 · Graphite, pen and red, green, and yellow ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Designs for five bracelets with natural motifs

F. Mellerio Borgnis

ca. 1830–70 · Pen and black, red, gold, green, and blue ink, with traces of graphite, heightened with white gouache

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Designs for seven bracelets with natural motifs

F. Mellerio Borgnis

ca. 1830–70 · Graphite, pen and green, yellow, gold, and blue ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Designs for seven bracelets with scrolling branches and leaves

F. Mellerio Borgnis

ca. 1830–70 · Graphite, pen and blue, green, yellow, and gold ink, heightened with gray wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Designs for six bracelets with natural motifs

F. Mellerio Borgnis

ca. 1830–70 · Pen and black, green, yellow, and blue ink, with traces of graphite, heightened with gray wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Designs for three bracelets with scrolling branches and leaves

F. Mellerio Borgnis

ca. 1830–70 · Graphite, pen and yellow and green ink, with gold, heightened with gray wash and silver paint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four designs for bracelets with pearls and stones

F. Mellerio Borgnis

ca. 1830–70 · Graphite heightened with gray wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four designs for bracelets with stylized leaves and pearls

F. Mellerio Borgnis

ca. 1830–70 · Graphite, pen and black, green, and yellow ink, and gray wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Four designs for bracelets with stylized leaves and pearls

F. Mellerio Borgnis

ca. 1830–70 · Graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Seven Sheets with Designs for Woven Textile Patterns

Wiener Werkstätte

1914–20 · 31: ink, watercolor and gouache on white paper or card, fabric swatches, with liftable overlay; 32: ink, watercolor and gouache on white paper or card, fabric swatch; 33: ink, watercolor and gouache on white paper or card, fabric swatch, with liftable overlay; 34: ink, watercolor and gouache on white paper or card, tracing paper, fabric swatches; 35: ink, watercolor and gouache on white paper or card; verso painted black; 36: ink, watercolor and gouache on brown paper; chalk on verso; 37: ink on thin brown paper

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.