Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    472 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    345 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 33,128 matching records exist across the two collections.

Results for "Designs for the Top and Bottom of a Smal"12 records

Institutions answered newest-first by record, interleaved

Design for the Verso of a Pendant with a Flower-Piece at Bottom Center by Jan Collaert I, The Metropolitan Museum of Art

Design for the Verso of a Pendant with a Flower-Piece at Bottom Center

Jan Collaert I (d. 1581)

before 1573 · Engraving; first state of two (New Hollstein)

Cleared · Public Domain

live
The MetSimilar
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 32 (recto) by Anonymous, Dutch, 17th century, The Metropolitan Museum of Art

Album of designs for embroidery: bodices, gauntlets, caps, bags, page 32 (recto)

Anonymous, Dutch, 17th century (d. 1700)

1615–35 · pen and ink; some with wash

Cleared · Public Domain

live
The MetSimilar
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 37 (recto) by Anonymous, Dutch, 17th century, The Metropolitan Museum of Art

Album of designs for embroidery: bodices, gauntlets, caps, bags, page 37 (recto)

Anonymous, Dutch, 17th century (d. 1700)

1615–35 · pen and ink; some with wash

Cleared · Public Domain

live
The MetSimilar
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 6 (recto) by Anonymous, Dutch, 17th century, The Metropolitan Museum of Art

Album of designs for embroidery: bodices, gauntlets, caps, bags, page 6 (recto)

Anonymous, Dutch, 17th century (d. 1700)

1615–35 · pen and ink; some with wash

Cleared · Public Domain

live
The MetSimilar
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 65 (recto) by Anonymous, Dutch, 17th century, The Metropolitan Museum of Art

Album of designs for embroidery: bodices, gauntlets, caps, bags, page 65 (recto)

Anonymous, Dutch, 17th century (d. 1700)

1615–35 · pen and ink; some with wash

Cleared · Public Domain

live
The MetSimilar
Album of designs for embroidery: bodices, gauntlets, caps, bags, page 8 (recto) by Anonymous, Dutch, 17th century, The Metropolitan Museum of Art

Album of designs for embroidery: bodices, gauntlets, caps, bags, page 8 (recto)

Anonymous, Dutch, 17th century (d. 1700)

1615–35 · pen and ink; some with wash

Cleared · Public Domain

live
The MetSimilar
Designs for the Top and Bottom of a Small Rectangular Box by Louis Félix de La Rue, The Metropolitan Museum of Art

Designs for the Top and Bottom of a Small Rectangular Box

Louis Félix de La Rue (d. 1765)

1777 · Pen and dark brown ink, brush and light brown wash, over black chalk, with framing lines around each design

Cleared · Public Domain

live
The MetSimilar
Two Separate Designs for the Top and Bottom of a Rectangular Gold Enameled Box with Canted Corners by Pierre Moreau, The Metropolitan Museum of Art

Two Separate Designs for the Top and Bottom of a Rectangular Gold Enameled Box with Canted Corners

Pierre Moreau (d. 1798)

1777 · Pen and black ink with brush and rose, crimson, green and gold wash

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Series of Cartouche Designs

Leonardo dell'Arca

ca. 1600–1620 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Designs for Five Stickpins

Edgar Gilstrap Simpson (d. 1945)

1899 · Graphite and gouache

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two Designs for a Bell Push with Fish Motif

Edgar Gilstrap Simpson (d. 1945)

1899 · Graphite and gouache

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Merry Christmas Card for Teacher, bakery card from the Lucky Cake Merry Christmas series (D94-2), issued by Tip Top Bakeries

Tip Top Bakeries

1959 · Commercial color lithograph

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.