Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
205 ms. The Metropolitan Museum of Art, Collection API (Open Access)
320 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 42 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Wig cabinet (cabinet de coiffure)
Johann Daniel Sommer II (d. 1698)
ca. 1685 · Oak and walnut veneered with ebony, ebonized wood, and marquetry of pewter, mother of pearl, and tortoiseshell colored red on the reverse; silver; brocaded damask (not original)
Cleared · Public Domain
live
Bureau Table
Unrecorded maker
1750–65 · Walnut, tulip poplar, white pine, white cedar
Cleared · Public Domain
live
Door from the cabinet intérieur of Étienne-François, duc de Choiseul (1719-1785), at his château of Chanteloup
Unrecorded maker
ca. 1771 · Wood, carved, painted white and gilded
Cleared · Public Domain
live
Side chair (chais à la reine) (one of a pair)
Georges Jacob (d. 1814)
1784 · Carved and gilded walnut; pink silk moiré damask (not original)
Cleared · Public Domain
liveSide chair (chais à la reine) (one of a pair)
Georges Jacob (d. 1814)
1784 · Carved and gilded walnut; pink silk moiré damask (not original)
Cleared · Public Domain
live
Sampler
Susan Bushey (d. 1905)
1838 · Silk embroidery on linen
Cleared · Public Domain
live
Cabinet
George A. Schastey & Co. (d. 1897)
1884–85 · Rosewood, mahogany, cherry, pine, pewter, brass, and mother-of-pearl
Cleared · Public Domain
live
Details of Door Furniture, St. George's Chapel, Windsor and other Ornament
Anonymous, British, 19th century (d. 1900)
second half 19th century · Graphite and pen and ink
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Useful, Composed of Ornaments of All Periods and Styles
John Phillip Rinn (d. 1905)
1877 · Photo lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Useful, Composed of Ornaments of All Periods and Styles
John Phillip Rinn (d. 1905)
1877 · Photo lithographs
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Examples of the Architecture of Venice, Selected and Drawn to Measurement from the Edifices (extra illustrated)
John Ruskin (d. 1900)
1851–83 · Mezzotint, etching, aquatint, engraving and lithographs with tint stones, numbered plates on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Design for a Large Armoire in the Art Nouveau Style
Georges de Feure (d. 1943)
ca. 1895–1900 · Graphite and watercolor
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.