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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    267 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    363 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Deux Personnages Assis (Two Seated Figur"12 records

Institutions answered newest-first by record, interleaved

Relief with enthroned ruler by Chakalte', The Metropolitan Museum of Art

Relief with enthroned ruler

Chakalte' (d. 825)

770 CE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Triton by Giambologna, The Metropolitan Museum of Art

Triton

Giambologna (d. 1608)

1590s · Bronze

Cleared · Public Domain

live
The MetSimilar
Deux Personnages Assis (Two Seated Figures), from "Les Caprices" Series A, The Florence Set by Jacques Callot, The Metropolitan Museum of Art

Deux Personnages Assis (Two Seated Figures), from "Les Caprices" Series A, The Florence Set

Jacques Callot (d. 1635)

1617 · Etching

Cleared · Public Domain

live
The MetSimilar
Deux Personnages Assis (Two Seated People), from "Les Caprices" Series B, The Nancy Set by Jacques Callot, The Metropolitan Museum of Art

Deux Personnages Assis (Two Seated People), from "Les Caprices" Series B, The Nancy Set

Jacques Callot (d. 1635)

1617–20 · Etching; first state of two (Lieure)

Cleared · Public Domain

live
The MetSimilar
Reverse Copy of Les Deux Personnages Assis (The Two Seated People), from "Les Caprices" Series A, The Florence Set by Anonymous, The Metropolitan Museum of Art

Reverse Copy of Les Deux Personnages Assis (The Two Seated People), from "Les Caprices" Series A, The Florence Set

Anonymous

17th century · Etching

Cleared · Public Domain

live
The MetSimilar
La scène des deux carrosses by Claude Gillot, The Metropolitan Museum of Art

La scène des deux carrosses

Claude Gillot (d. 1722)

ca. 1712–16 · Pen and black ink, brush and red wash

Cleared · Public Domain

live
The MetSimilar
Shoulao by Chantilly, The Metropolitan Museum of Art

Shoulao

Chantilly

ca. 1735–40 · Tin-glazed soft-paste porcelain decorataed in polychrome enamels

Cleared · Public Domain

live
The MetSimilar
Wall clock (pendule en cartel) by Jean Godde l'aîné, The Metropolitan Museum of Art

Wall clock (pendule en cartel)

Jean Godde l'aîné (d. 1749)

ca. 1740–45 · Case: gilded bronze, oak, and tortoiseshell on brass marquetry on oak; Dial: white enamel and gilded brass with blued-steel hands; Movement: brass and steel

Cleared · Public Domain

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The MetSimilar
En Angleterre: Pauvre Jenny!, from "Le Journal Illustré," no. 55 by Henry Linton, The Metropolitan Museum of Art

En Angleterre: Pauvre Jenny!, from "Le Journal Illustré," no. 55

Henry Linton (d. 1899)

February 26–March 5, 1865 · Wood engraving

Cleared · Public Domain

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The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Deux Personnages Assis (Two Seated People), from Les Caprices Series A, The Florence Set

Jacques Callot (d. 1635)

1617 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Félix Vallotton, Biographie

Julius Meier-Graefe (d. 1935)

1898 · Illustrations: woodcuts and photo-reproductions of woodcuts

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Deux Landaises (Evening)

Gerald Leslie Brockhurst (d. 1978)

1923 · Etching; seventh state of seven

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.