Diana and Her Nymphs Pursuing a Stag, from "Three Prints on Hunting and Fishing"
Léon Davent (d. 1556)
1547 · Etching
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
636 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
371 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 187 matching records exist across the two collections.
Results for "Diana and three nymphs from "Diana Retur"12 records
Institutions answered newest-first by record, interleaved
Diana the Huntress
Giampietrino (Giovanni Pietro Rizzoli) (d. 1553)
1549 · Oil on wood
Cleared · Public Domain
liveThe MetSimilar
Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso)
Taddeo Zuccaro (d. 1566)
1529–66 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
liveThe MetSimilar
Seated figure of Diana the Huntress
Wenceslaus Hollar (d. 1677)
1644–52 · Etching,drypoint and engraving added by Paulus Pontius; third state of four
Cleared · Public Domain
liveThe MetSimilar
Diana and her Nymphs
Laurent de La Hyre (d. 1656)
before 1662 · Wool, silk, silver-gilt thread (22-23 warps per inch, 8-9 per cm.)
Cleared · Public Domain
liveThe MetSimilar
Diana and her Companions Hunting Wild Boar
Louis de Boullogne the Younger (d. 1733)
ca. 1707 · Black and white chalk on blue paper
Cleared · Public Domain
liveThe MetSimilar
Diana and Actaeon from a set of Ovid's Metamorphoses
Manufacture Nationale des Gobelins (d. 1799)
designed before 1680, woven late 17th–early 18th century · Wool, silk (20 warps per inch, 8 per cm.)
Cleared · Public Domain
liveThe MetSimilar
Diana and Actaeon (Diana Surprised in Her Bath)
Camille Corot (d. 1875)
1836 · Oil on canvas
Cleared · Public Domain
liveThe MetSimilar
Diana and three nymphs from "Diana Returning from the Chase"
Anonymous
ca. 1750–1850 · Engraving
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Story of Apollo and Diana: Diana lamenting the death of Orion
Etienne Delaune (d. 1583)
1547–48 · Engraving: First state
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Moluccan Cockatoo Molly #1
Diana Thater (d. 9999)
1995 · One video monitor, one media player
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Scarlet Macaw Crayons
Diana Thater (d. 9999)
1995 · One video projector, one media player
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.