Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    246 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    437 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 1,876 matching records exist across the two collections.

Results for "Different designs for decor with two var"12 records

Institutions answered newest-first by record, interleaved

Design for a Frieze with Two Women Flanking an Urn by Giuseppe Cades, The Metropolitan Museum of Art

Design for a Frieze with Two Women Flanking an Urn

Giuseppe Cades (d. 1799)

ca. 1775–85 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk

Cleared · Public Domain

live
The MetSimilar
Two Costume Designs for the Ballet or Opera by Louis René Boquet, The Metropolitan Museum of Art

Two Costume Designs for the Ballet or Opera

Louis René Boquet (d. 1814)

ca. 1770–90 · Pen and ink with watercolor on paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ornamental Fillet with Six Different Designs for Ceilings

Daniel Hopfer (d. 1536)

1520s · Etching; second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Different designs for decor with two variants for a cartouche at bottom center, plate 4 from 'Recherche de plusieurs beaux morceaux d'ornemens pour seruir aux frontons des placarts plaphons et Lembris [Lambris et autres décors]', bound in "Oeuvres", Vol. I

Jean Le Pautre (d. 1682)

1661 · Etching; third state of three (Préaud)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Hand-Colored Etching with Designs for Jewelry

Chazal Jeune (d. 1900)

ca. 1820–50 · Hand-Colored Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Designs for six bracelets with natural motifs

F. Mellerio Borgnis

ca. 1830–70 · Pen and black, green, yellow, and blue ink, with traces of graphite, heightened with gray wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Designs for two bracelets and two brooches with stylized leaves, diamonds, pearls, and interlacing motifs

F. Mellerio Borgnis

ca. 1830–70 · Graphite heightened with gray wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Nine designs for brooches with stylized flowers and leaves

F. Mellerio Borgnis

ca. 1830–70 · Graphite, pen and black, red, green, blue, yellow, gold, and silver ink, heightened with gray wash and white gouache

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Six designs for brooches with cartouches

F. Mellerio Borgnis

ca. 1830–70 · Graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two designs for brooches with ribbons and stones

F. Mellerio Borgnis

ca. 1830–70 · Graphite, pen and black, green, red, yellow, silver, and gold ink, heightened with gray wash

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Two designs for brooches with stylized leaves, flowers and pearls

F. Mellerio Borgnis

ca. 1830–70 · Graphite, pen and black, red, green, yellow, and gold ink, heightened with gray wash and white gouache

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Six Designs for Drinking Vessels

Edgar Gilstrap Simpson (d. 1945)

1899 · Graphite and gouache

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.