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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    453 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    535 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 13 matching records exist across the two collections.

Results for "Dilapidation of the Long-Entry Arch. Old"12 records

Institutions answered newest-first by record, interleaved

Slaughtering a bull as part of funeral rites by an unrecorded maker, The Metropolitan Museum of Art

Slaughtering a bull as part of funeral rites

Unrecorded maker

690–645 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Birds in a cage and offering bearers by an unrecorded maker, The Metropolitan Museum of Art

Birds in a cage and offering bearers

Unrecorded maker

ca. 680–650 BCE · Limestone, paint

Cleared · Public Domain

live
The MetSimilar
Sarcophagus with Scenes from the Lives of Saint Peter and Christ by an unrecorded maker, The Metropolitan Museum of Art

Sarcophagus with Scenes from the Lives of Saint Peter and Christ

Unrecorded maker

early 300s, with modern restoration · Marble

Cleared · Public Domain

live
The MetSimilar
Marble portrait head of the Emperor Constantine I by an unrecorded maker, The Metropolitan Museum of Art

Marble portrait head of the Emperor Constantine I

Unrecorded maker

ca. 325–370 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Clock watch with astronomical dial and sundial by Jan Jansen Bockeltz, The Metropolitan Museum of Art

Clock watch with astronomical dial and sundial

Jan Jansen Bockeltz (d. 1626)

ca. 1605–10 · Case: gilded brass; Dial: gilded brass, silver, and copper; Movement: gilded brass, partly blued steel, and silver

Cleared · Public Domain

live
The MetSimilar
Cupboard (Beeldenkast) by an unrecorded maker, The Metropolitan Museum of Art

Cupboard (Beeldenkast)

Unrecorded maker

1622 · Oak

Cleared · Public Domain

live
The MetSimilar
Longcase clock with calendar by Thomas Tompion, The Metropolitan Museum of Art

Longcase clock with calendar

Thomas Tompion (d. 1713)

ca. 1700 · Case: walnut; oak veneered with walnut; and string inlays of holly and stained holly; Dial: partly gilded and partly silvered brass; Movement: brass and steel

Cleared · Public Domain

live
The MetSimilar
Pair-case watch with quarter repeating mechanism by George Graham, The Metropolitan Museum of Art

Pair-case watch with quarter repeating mechanism

George Graham (d. 1751)

1719–20 · Outer and inner cases: gold; Dial: champlevé gold; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Miniature longcase clock with calendar by Daniel Quare, The Metropolitan Museum of Art

Miniature longcase clock with calendar

Daniel Quare (d. 1724)

ca. 1720–25 · Case: walnut and oak veneered with walnut and figured walnut; Dial: gilded and silvered brass; Movement: gilded brass, steel

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Wilton album, folio 47: Christ at the Well with the Samaritan Woman

Francesco Brizio (d. 1623)

1595 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Dilapidation of the Long-Entry Arch. Old London Bridge

Edward William Cooke (d. 1880)

April 1833 · Etching on chine collé

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Ode to the Valley of Wonderment

Raqib Shaw (d. 9999)

2017–19 · Acrylic liner and enamel on Birch wood

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.