
Slaughtering a bull as part of funeral rites
Unrecorded maker
690–645 BCE · Limestone, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
453 ms. The Metropolitan Museum of Art, Collection API (Open Access)
535 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Slaughtering a bull as part of funeral rites
Unrecorded maker
690–645 BCE · Limestone, paint
Cleared · Public Domain
live
Birds in a cage and offering bearers
Unrecorded maker
ca. 680–650 BCE · Limestone, paint
Cleared · Public Domain
live
Sarcophagus with Scenes from the Lives of Saint Peter and Christ
Unrecorded maker
early 300s, with modern restoration · Marble
Cleared · Public Domain
live
Marble portrait head of the Emperor Constantine I
Unrecorded maker
ca. 325–370 CE · Marble
Cleared · Public Domain
live
Clock watch with astronomical dial and sundial
Jan Jansen Bockeltz (d. 1626)
ca. 1605–10 · Case: gilded brass; Dial: gilded brass, silver, and copper; Movement: gilded brass, partly blued steel, and silver
Cleared · Public Domain
live
Cupboard (Beeldenkast)
Unrecorded maker
1622 · Oak
Cleared · Public Domain
live
Longcase clock with calendar
Thomas Tompion (d. 1713)
ca. 1700 · Case: walnut; oak veneered with walnut; and string inlays of holly and stained holly; Dial: partly gilded and partly silvered brass; Movement: brass and steel
Cleared · Public Domain
live
Pair-case watch with quarter repeating mechanism
George Graham (d. 1751)
1719–20 · Outer and inner cases: gold; Dial: champlevé gold; Movement: gilded brass and partly blued steel
Cleared · Public Domain
live
Miniature longcase clock with calendar
Daniel Quare (d. 1724)
ca. 1720–25 · Case: walnut and oak veneered with walnut and figured walnut; Dial: gilded and silvered brass; Movement: gilded brass, steel
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Wilton album, folio 47: Christ at the Well with the Samaritan Woman
Francesco Brizio (d. 1623)
1595 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dilapidation of the Long-Entry Arch. Old London Bridge
Edward William Cooke (d. 1880)
April 1833 · Etching on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ode to the Valley of Wonderment
Raqib Shaw (d. 9999)
2017–19 · Acrylic liner and enamel on Birch wood
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.