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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    678 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    373 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 105 matching records exist across the two collections.

Results for "Diogenes, seated before his barrel, read"12 records

Institutions answered newest-first by record, interleaved

Limestone inscribed relief by an unrecorded maker, The Metropolitan Museum of Art

Limestone inscribed relief

Unrecorded maker

3rd century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Tetradrachm by an unrecorded maker, The Metropolitan Museum of Art

Tetradrachm

Unrecorded maker

ca. 49–50 CE · Silver

Cleared · Public Domain

live
The MetSimilar
Tetradrachm by an unrecorded maker, The Metropolitan Museum of Art

Tetradrachm

Unrecorded maker

ca. 212–213 CE · Silver

Cleared · Public Domain

live
The MetSimilar
Jaharis Byzantine Lectionary by an unrecorded maker, The Metropolitan Museum of Art

Jaharis Byzantine Lectionary

Unrecorded maker

ca. 1100 · Tempera, gold, and ink on parchment; leather binding

Cleared · Public Domain

live
The MetSimilar
Diogenes seated with his barrel behind him, and reading a book while holding a stick that rests on a geometry book to his right by Giovanni Jacopo Caraglio, The Metropolitan Museum of Art

Diogenes seated with his barrel behind him, and reading a book while holding a stick that rests on a geometry book to his right

Giovanni Jacopo Caraglio (d. 1565)

ca. 1526–27 · Engraving

Cleared · Public Domain

live
The MetSimilar
Diogenes, seated before his barrel, reading from a book, a plucked hen standing behind him at right by Ugo da Carpi, The Metropolitan Museum of Art

Diogenes, seated before his barrel, reading from a book, a plucked hen standing behind him at right

Ugo da Carpi (d. 1532)

ca. 1527–30 · Chiaroscuro woodcut printed from four blocks in gray-green ink

Cleared · Public Domain

live
The MetSimilar
Satire on Art Criticism by Rembrandt (Rembrandt van Rijn), The Metropolitan Museum of Art

Satire on Art Criticism

Rembrandt (Rembrandt van Rijn) (d. 1669)

1644 · Pen and brown ink corrected with white.

Cleared · Public Domain

live
The MetSimilar
A False Bacchus Crowning Drunkards by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

A False Bacchus Crowning Drunkards

Goya (Francisco de Goya y Lucientes) (d. 1828)

1778 · Etching

Cleared · Public Domain

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The MetSimilar
Alexander visiting Diogenes by an unrecorded maker, The Metropolitan Museum of Art

Alexander visiting Diogenes

Unrecorded maker

late 18th–early 19th century · Onyx

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Diogenes seated with his barrel behind him, and reading a book while holding a stick that rests on a geometry book to his right

Giovanni Jacopo Caraglio (d. 1565)

ca. 1524–27 · Engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Diogenes, seated before his barrel, reading from a book and with a plucked hen standing behind him at right

Ugo da Carpi (d. 1532)

ca. 1527–30 · Chiaroscuro woodcut printed from four blocks in brown ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Chance Encounter at 3 A.M.

Red Grooms (d. 9999)

1984 · Oil on canvas

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.