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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    476 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "Diptych with Scenes from the Passion of"6 records

Institutions answered newest-first by record, interleaved

Diptych with the Passion of Christ by an unrecorded maker, The Cleveland Museum of Art

Diptych with the Passion of Christ

Unrecorded maker

c. 1400 · Painting, tempera and gold on wood oak

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Diptych with the Passion of Christ (right wing): Crowning with Thorns and Agony on the Garden by an unrecorded maker, The Cleveland Museum of Art

Diptych with the Passion of Christ (right wing): Crowning with Thorns and Agony on the Garden

Unrecorded maker

c. 1400 · Painting, tempera and gold on wood (oak)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Diptych with the Passion of Christ (left wing):Flagellation and Christ Before Pilate by an unrecorded maker, The Cleveland Museum of Art

Diptych with the Passion of Christ (left wing):Flagellation and Christ Before Pilate

Unrecorded maker

c. 1400 · Painting, tempera and gold on wood oak

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Diptych with Scenes from the Life of Christ (left wing: Raising of Lazarus and Crucifixion) by an unrecorded maker, The Cleveland Museum of Art

Diptych with Scenes from the Life of Christ (left wing: Raising of Lazarus and Crucifixion)

Unrecorded maker

c. 1350–1375 · Ivory, ivory

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Diptych with Scenes from the Life of Christ (right wing: Entry into Jerusalem and Entombment) by an unrecorded maker, The Cleveland Museum of Art

Diptych with Scenes from the Life of Christ (right wing: Entry into Jerusalem and Entombment)

Unrecorded maker

c. 1350–1375 · Ivory, ivory

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Diptych with Scenes from the Life of Christ (left wing: Raising of Lazarus and Crucifixion) (right wing: Entry into Jerusalem and Entombment) by an unrecorded maker, The Cleveland Museum of Art

Diptych with Scenes from the Life of Christ (left wing: Raising of Lazarus and Crucifixion) (right wing: Entry into Jerusalem and Entombment)

Unrecorded maker

c. 1350–1375 · Ivory, ivory

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.