Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    461 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    426 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 332 matching records exist across the two collections.

Results for "Diptych with the Annunciation"12 records

Institutions answered newest-first by record, interleaved

Diptych with Scenes of the Annunciation, Nativity, Crucifixion, and Resurrection by an unrecorded maker, The Metropolitan Museum of Art

Diptych with Scenes of the Annunciation, Nativity, Crucifixion, and Resurrection

Unrecorded maker

1300–1325 · Gilded silver with translucent and opaque enamels

Cleared · Public Domain

live
The MetSimilar
The Annunciation by an unrecorded maker, The Cleveland Museum of Art

The Annunciation

Unrecorded maker

1380s · Painting, tempera and oil with gold on wood

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Diptych with Scenes of the Life of Christ and the Virgin, Saint Michael, John the Baptist, Thomas Becket, and the Trinity by an unrecorded maker, The Metropolitan Museum of Art

Diptych with Scenes of the Life of Christ and the Virgin, Saint Michael, John the Baptist, Thomas Becket, and the Trinity

Unrecorded maker

ca. 1350 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Leaf from a Diptych with the Coronation, Annunciation, and Visitation by an unrecorded maker, The Metropolitan Museum of Art

Leaf from a Diptych with the Coronation, Annunciation, and Visitation

Unrecorded maker

ca. 1325–50 · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Leaf from a Diptych with the Crucifixion and Annunciation by an unrecorded maker, The Metropolitan Museum of Art

Leaf from a Diptych with the Crucifixion and Annunciation

Unrecorded maker

ca. 1300–1350 · Elephant ivory with metal mounts

Cleared · Public Domain

live
The MetSimilar
Diptych with Scenes from the Passion by an unrecorded maker, The Metropolitan Museum of Art

Diptych with Scenes from the Passion

Unrecorded maker

ca. 1350 · Elephant ivory with metal mounts

Cleared · Public Domain

live
The MetSimilar
Diptych by an unrecorded maker, The Metropolitan Museum of Art

Diptych

Unrecorded maker

14th century · Elephant ivory with metal mounts

Cleared · Public Domain

live
The MetSimilar
Diptych with Annunciation, Visitation, Nativity, Crucifixion, and Coronation of the Virgin by an unrecorded maker, The Metropolitan Museum of Art

Diptych with Annunciation, Visitation, Nativity, Crucifixion, and Coronation of the Virgin

Unrecorded maker

14th century · Elephant ivory with metal mounts

Cleared · Public Domain

live
The MetSimilar
Diptych with the Annunciation by an unrecorded maker, The Metropolitan Museum of Art

Diptych with the Annunciation

Unrecorded maker

14th century · Basse taille enamel, silver

Cleared · Public Domain

live
The MetSimilar
Leaf from a Diptych with the life of the Virgin by an unrecorded maker, The Metropolitan Museum of Art

Leaf from a Diptych with the life of the Virgin

Unrecorded maker

mid to late 14th century · Elephant ivory

Cleared · Public Domain

live
The MetSimilar
Diptych with tabernacle frames by an unrecorded maker, The Metropolitan Museum of Art

Diptych with tabernacle frames

Unrecorded maker

ca. 1400–1410 · Poplar. Carved, gilt; red-orange bole.

Cleared · Public Domain

live
The MetSimilar
Devotional Diptych with the Annunciation, the Virgin and Child, and the Crucifixion by an unrecorded maker, The Metropolitan Museum of Art

Devotional Diptych with the Annunciation, the Virgin and Child, and the Crucifixion

Unrecorded maker

1400–1425 · Verre églomisé, wood, gesso, tempera

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.