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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    1088 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    309 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 4 matching records exist across the two collections.

Results for "Discours sur l'Origine et les Fondemens"4 records

Institutions answered newest-first by record, interleaved

L'art de former les jardins modernes, ou, L'art des jardins anglois : traduit de l'anglois : à quoi le traducteur a ajouté un discours préliminaire sur l'origine de l'art, des notes sur le texte, & une description détaillée des jardins de Stowe, accompagnée du plan by Charles Antoine Jombert, The Metropolitan Museum of Art

L'art de former les jardins modernes, ou, L'art des jardins anglois : traduit de l'anglois : à quoi le traducteur a ajouté un discours préliminaire sur l'origine de l'art, des notes sur le texte, & une description détaillée des jardins de Stowe, accompagnée du plan

Charles Antoine Jombert (d. 1784)

1771

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Discours sur les Medalles et Graveurs Antiques...

Antoine Le Pois

1579

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Discours sur l'Origine et les Fondemens de l'Inegalité parmi les Hommes

Jean Jacques Rousseau (d. 1778)

1755

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'Origine du Bien et du Mal, Volume II, Page 3, from "Mes Passe-Temps: Chansons suivies de l'Art de la Danse, Poeme en Quatre Chants, Calqué sur l'Art Poétique de Boileau Despréaux. Ornés de Gravures d'après les Dessins de Moreau le jeune"

Philippe Trière (d. 1815)

published in 1806 · Etching and engraving; third state of three (Bocher)

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.