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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    211 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    416 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 8 matching records exist across the two collections.

Results for "Discours sur les Medalles et Graveurs An"8 records

Institutions answered newest-first by record, interleaved

Copy after a Sculpture of the Sleeping Eros Based on an Antique Model (from Cassiano dal Pozzo's 'Paper Museum') by Giovanni Angelo Canini, The Metropolitan Museum of Art

Copy after a Sculpture of the Sleeping Eros Based on an Antique Model (from Cassiano dal Pozzo's 'Paper Museum')

Giovanni Angelo Canini (d. 1666)

ca. 1630 · Pen and brown ink, brush and brown wash; framing lines in pen and brown ink on paper

Cleared · Public Domain

live
The MetSimilar
Africa from a set of The Four Continents by Jean Jacques François Le Barbier, The Metropolitan Museum of Art

Africa from a set of The Four Continents

Jean Jacques François Le Barbier (d. 1826)

designed ca. 1786, woven 1790–91 · Wool, silk (19-21 warps per inch, 8 per cm.)

Cleared · Public Domain

live
The MetSimilar
Asia from a set of The Four Continents by Jean Jacques François Le Barbier, The Metropolitan Museum of Art

Asia from a set of The Four Continents

Jean Jacques François Le Barbier (d. 1826)

designed ca. 1786, woven 1790–91 · Wool, silk (19-21 warps per inch, 8 per cm.)

Cleared · Public Domain

live
The MetSimilar
Europe from a set of The Four Continents by Jean Jacques François Le Barbier, The Metropolitan Museum of Art

Europe from a set of The Four Continents

Jean Jacques François Le Barbier (d. 1826)

designed ca. 1786, woven 1790–91 · Wool, silk (19-21 warps per inch, 8 per cm.)

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Discours sur les Medalles et Graveurs Antiques...

Antoine Le Pois

1579

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'Estampe et L'Affiche

Clément-Janin

1897 · Etchings, lithographs, drypoints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'Estampe et L'Affiche

Clément-Janin

1898 · Etchings, lithographs, drypoints

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

L'Estampe et L'Affiche

Clément-Janin

1899 · Etchings, lithographs, drypoints

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.