
Footed dish with Diana and Actaeon
Fra Xanto Avelli da Rovigo (d. 1582)
ca. 1525 · Maiolica (tin-glazed earthenware)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
535 ms. The Metropolitan Museum of Art, Collection API (Open Access)
334 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 12 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Footed dish with Diana and Actaeon
Fra Xanto Avelli da Rovigo (d. 1582)
ca. 1525 · Maiolica (tin-glazed earthenware)
Cleared · Public Domain
live
Armorial dish: The story of Apollo
Francesco Xanto Avelli da Rovigo (d. 1542)
1532 · Maiolica (tin-glazed earthenware)
Cleared · Public Domain
live
Seated satyr with silvered eyes
Andrea Briosco, called Riccio (d. 1532)
second quarter of the 16th century · Bronze, silver inlay (eyes)
Cleared · Public Domain
live
Studies for a Circular Composition of Diana and Her Nymphs Bathing (recto); Studies for the Same Composition (verso)
Taddeo Zuccaro (d. 1566)
1529–66 · Pen and brown ink, brush and brown wash
Cleared · Public Domain
live
Omnia Vincit Amor
Agostino Carracci (d. 1602)
1599 · Engraving
Cleared · Public Domain
live
Dish with Diana, the Nymph of Fontainebleau
Bernard Palissy (d. 1590)
late 16th–early 17th century · Lead-glazed earthenware
Cleared · Public Domain
live
Design (Full-Scale Working Drawing) for a Large Oval Silver Dish with Silver Gilt Border Showing Vulcan's Forge
Giovanni Giardini (d. 1722)
1646–1722 · Pen and brown ink, brush and brown wash, yellow and blue watercolor over black chalk; framing lines in pen and brown ink; on two glued sheets
Cleared · Public Domain
live
Dish with Diana and the stag
Bernard Palissy (d. 1590)
17th century or later · Lead-glazed earthenware
Cleared · Public Domain
live
Perfume vase (one of a pair)
Chelsea Porcelain Manufactory (d. 1784)
ca. 1761 · Soft-paste porcelain, burnished gold ground
Cleared · Public Domain
live
Perfume vase (one of a pair)
Chelsea Porcelain Manufactory (d. 1784)
ca. 1761 · Soft-paste porcelain, burnished gold ground
Cleared · Public Domain
live
Mantel clock with alarm
Franz Xavier Gegenreiner (d. 1770)
case ca. 1710, movement ca. 1760–70 · Case: tortoiseshell backed with brass leaf, pearwood veneered with rosewood; and partly gilded silver; Movement: gilded brass and steel
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Flemish Grotesque with Diana in a Cart pulled by a Nymph on a Deer
Cornelis Floris II (d. 1575)
1552 · Engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.