
Inlay: banquet scene with a seated figure holding a palm frond
Unrecorded maker
ca. 2600–2500 BCE · Shell
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
2628 ms. The Metropolitan Museum of Art, Collection API (Open Access)
320 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 475 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Inlay: banquet scene with a seated figure holding a palm frond
Unrecorded maker
ca. 2600–2500 BCE · Shell
Cleared · Public Domain
live
Seated female figure
Nayarit artist(s)
100–400 CE · Ceramic, slip
Cleared · Public Domain
live
Figure
Unrecorded maker
9th century · Plaster; painted
Cleared · Public Domain
live
Study of a Palm Tree (recto); Mountain Landscape (verso)
Nicolas Poussin (d. 1665)
ca. 1635–40 · Pen and brown ink, over traces of black chalk (recto); pen and brown ink (verso)
Cleared · Public Domain
live
A figure weeping over a grave
George Richmond (d. 1896)
1827 or 1829 · Pen and brown ink over graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Distant mosque with palms and two figures
Unrecorded maker
ca.1920 · Glass, emulsion
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oasis with doum palms and distant figures in the water
Unrecorded maker
ca. 1920 · Glass, emulsion
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Oasis with doum palms and distant figures in the water
Unrecorded maker
ca. 1920 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Itoci commemorative figure
Dengese artist
19th–early 20th century · Wood, metal staple
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Male Figure
"Master of the Narrow Face" (d. 1940)
Late 19th–early 20th century · Wood, cotton cloth, pigment, plant fiber, metal
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Ancestor Figure (Itara)
Unrecorded maker
late 19th–early 20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Itara (ancestor figure)
Ataúro Island artists
late 19th–early 20th century · Wood
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.