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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    388 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 35 matching records exist across the two collections.

Results for "Domestic Scene"9 records

Institutions answered newest-first by record, interleaved

Family Scene by Pierre Bonnard, The Cleveland Museum of Art

Family Scene

Pierre Bonnard (d. 1947)

1893 · Print, color lithograph on beige wove paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Wash Line by Edwin Kaufman, The Cleveland Museum of Art

Wash Line

Edwin Kaufman (d. 1939)

1927 · Print, etching

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Birth and Naming of John the Baptist by Juan de Flandes, The Cleveland Museum of Art

The Birth and Naming of John the Baptist

Juan de Flandes (d. 1519)

1496–99 · Painting, oil on wood

Cleared · CC0

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Cleveland Museum of ArtSimilar
Balaam and the Ass by Hans Bol, The Cleveland Museum of Art

Balaam and the Ass

Hans Bol (d. 1593)

1583 · Drawing, Gouache heightened with gold on vellum laid down on panel

Cleared · CC0

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Cleveland Museum of ArtSimilar
In the Omnibus by Mary Cassatt, The Cleveland Museum of Art

In the Omnibus

Mary Cassatt (d. 1926)

1890–91 · Print, color drypoint and aquatint

Cleared · CC0

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Cleveland Museum of ArtSimilar
Luncheon (Annette and Her Grandmother) by Édouard Vuillard, The Cleveland Museum of Art

Luncheon (Annette and Her Grandmother)

Édouard Vuillard (d. 1940)

1899 · Painting, oil on board

Cleared · CC0

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Cleveland Museum of ArtSimilar
Reading by Eugène Carrière, The Cleveland Museum of Art

Reading

Eugène Carrière (d. 1906)

c. 1875–1900 · Drawing, brush and brown ink

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Potato Peeler by Ker Xavier Roussel, The Cleveland Museum of Art

The Potato Peeler

Ker Xavier Roussel (d. 1944)

1893 · Print, lithograph on gray laid paper

Cleared · CC0

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Cleveland Museum of ArtSimilar
Votive Plaque (Pinax) with Persephone Making her Bridal Bed by an unrecorded maker, The Cleveland Museum of Art

Votive Plaque (Pinax) with Persephone Making her Bridal Bed

Unrecorded maker

c. 490–450 BCE · Plaque, Terracotta

Cleared · CC0

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Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.